1.
Where did Fauvism originate?
Correct Answer
B. France
Explanation
Fauvism originated in France. Fauvism was an art movement that emerged in the early 20th century, characterized by bold, vibrant colors and simplified forms. It was pioneered by artists such as Henri Matisse and André Derain, who rejected traditional artistic conventions and sought to express their emotions through intense color and brushwork. The movement was short-lived but had a significant impact on the development of modern art.
2.
It came to be known as the first new artistic style of the ________
Correct Answer
A. 20th century
Explanation
The given answer is "20th century" because the question is asking about the first new artistic style, implying that it emerged during a specific time period. Since the options provided are different centuries, the only logical choice is the 20th century, as it is the most recent century mentioned.
3.
Primitivism is a mode of aesthetic idealization that aspires to eradicate a "primitive" experience.
Correct Answer
B. False
Explanation
Primitivism is actually a mode of aesthetic idealization that seeks to embrace and celebrate the "primitive" experience, rather than eradicating it. It involves a fascination with and romanticization of non-Western cultures, often portraying them as more pure, authentic, and untainted by modern society. This movement emerged in the early 20th century as a reaction against the perceived artificiality and decadence of Western civilization. Artists and thinkers inspired by primitivism sought to reconnect with a more primal and instinctual way of being, finding inspiration in the art, spirituality, and cultural practices of indigenous peoples.
4.
Fauves primarily focused on which of the following elements in their paintings?
Correct Answer
A. Bright, cheesy landscapes and figure paintings
Explanation
The Fauves primarily focused on bright, cheesy landscapes and figure paintings. This can be seen in their use of vibrant, bold colors and expressive brushstrokes to depict scenes from nature and everyday life. The Fauves rejected traditional notions of color and form, instead opting for a more subjective and emotional approach to painting. Their works often featured intense hues and exaggerated perspectives, creating a sense of energy and vitality. By prioritizing the use of bright colors and depicting cheerful subjects, the Fauves aimed to evoke strong emotions and challenge conventional artistic norms.
5.
Name the artist who is not a major fauvist?
Correct Answer
B. Leonardo Da Vinci
Explanation
Leonardo Da Vinci is not a major fauvist because he was not associated with the Fauvism movement, which was a short-lived art movement in the early 20th century. Fauvism was characterized by bold, vibrant colors and expressive brushwork, while Da Vinci was a Renaissance artist known for his realistic and detailed paintings such as the Mona Lisa and The Last Supper. Therefore, the correct answer is Leonardo Da Vinci.
6.
In western art, as found in many artistic work, the idea of primitivism was usually borrowed from
Correct Answer
C. Both A & B
Explanation
The correct answer is "Both A & B". In western art, the idea of primitivism was often borrowed from both non-western people and prehistoric people. Primitivism in art involves incorporating elements or styles from non-western cultures or from a time before civilization. Western artists were inspired by the simplicity, authenticity, and connection to nature that they perceived in these cultures and time periods. They sought to capture these qualities in their own work, often using non-western artistic techniques or subject matter.
7.
The term "primitivism" is usually applied to the painting styles that came to focus after the Avant-garde.
Correct Answer
B. False
Explanation
The term "primitivism" is not usually applied to the painting styles that came to focus after the Avant-garde. Primitivism refers to a style that emerged before the Avant-garde movement, which sought inspiration from non-Western and prehistoric art. The Avant-garde, on the other hand, was a movement that rejected traditional artistic conventions and sought to push the boundaries of art. Therefore, the statement is false.
8.
For most artists, Fauvism was known as a transitional learning stage.
Correct Answer
A. True
Explanation
Fauvism was an art movement that emerged in the early 20th century, characterized by the use of bold, vibrant colors and simplified forms. Many artists who were associated with Fauvism, such as Henri Matisse and André Derain, later moved on to explore other artistic styles and techniques. Therefore, it can be said that for most artists, Fauvism was indeed a transitional learning stage in their artistic development.
9.
Neo-primitivism was a ________ art movement.
Correct Answer
A. Russian
Explanation
Neo-primitivism was an art movement that emerged in Russia during the early 20th century. It sought to reject the influences of Western European art and instead draw inspiration from traditional Russian folk art and culture. Artists associated with this movement, such as Natalia Goncharova and Kazimir Malevich, aimed to create a new artistic language that reflected the essence of Russian identity. Therefore, the correct answer is Russian.
10.
Fauvists were
Correct Answer
C. Fed up with the old ways of paintings
Explanation
The Fauvists were artists who were fed up with the old ways of paintings. They sought to break away from traditional techniques and explore new forms of expression through the use of bold, vibrant colors and simplified forms. They believed that art should be more emotional and spontaneous, and they rejected the strict rules and conventions of academic painting. By rejecting the old ways of paintings, the Fauvists paved the way for the development of modern art.