Avant-garde
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Aleatoricism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Expressionism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Serialism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Total serialism
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Polytonal
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Minimalism
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Impressionism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Primitivism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Neoclassicism
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OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Post-minimalism
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Polytonal
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Sprechstimme
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
Klangfarbenmelodie
Select a Match
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Slowly evolving patterns
French style with emphasis on colour, not rhythm
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Emphasis on rhythm and percussive elements
Use of chance or random methods
Where the notes of the melody are passed between instruments
Simultaneous use of more than one tonal centre
Very emotional, often hysterical
More musical than recitative
Experimental artists or composers
Revival of 17th century ideas and concepts
Music organized to use all twelve tones of the scale – dodecaphonic
