Avant-garde
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Aleatoricism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Expressionism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Serialism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Total serialism
Select a Match
Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Polytonal
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Minimalism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Impressionism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Primitivism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Neoclassicism
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Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Post-minimalism
Select a Match
Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Polytonal
Select a Match
Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Sprechstimme
Select a Match
Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Klangfarbenmelodie
Select a Match
Slowly evolving patterns
Music organized to use all twelve tones of the scale – dodecaphonic
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
French style with emphasis on colour, not rhythm
Experimental artists or composers
More musical than recitative
Melody in one key, accompaniment in another
Somewhat obscure – harkening back to minimalism
Use of chance or random methods
Revival of 17th century ideas and concepts
Very emotional, often hysterical
Simultaneous use of more than one tonal centre
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
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