Film- Prof. 1- Term One Test (Exam Review)
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Critic Roger Ebert compares Crash to some other “cross-cutting Los Angeles stories” such as Grand Canyon (dir. Lawrence Kasdan) and Short Cuts (dir. Robert Altman). The term “cross-cutting” refers to
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A film style that conveys anger at social injustice
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A movement between different story lines
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Alternating attention given to different races
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The use of split screen techniques for displaying social conflict
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This quiz titled 'FILM- Prof. 1- Term One Test (Exam Review)' assesses knowledge on film editing techniques, focusing on cross-cutting and emotional resonance in editing, referencing films like Crash. It evaluates understanding of historical editing development and editor's decision-making process.
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- 2.
In Crash, there is one sequence showing Officer Ryan interacting with his father. The way in which the sequence is edited seems designed to
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Provide the spectator with an escalating sense of tension
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Build a rhythmic beat into the portrayal of the two mens actions
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Allow the spectator to enter the close, emotionally relationship between the father and the son
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Focus the viewers attention, alternately on each mans conflicted emotion
Correct Answer
A. Allow the spectator to enter the close, emotionally relationship between the father and the sonExplanation
The sequence in Crash is edited in a way that allows the spectator to enter the close, emotionally relationship between the father and the son. The editing techniques used create a sense of intimacy and connection between the two characters, drawing the viewer into their relationship. This allows the audience to better understand and empathize with the characters and their emotional dynamics.Rate this question:
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- 3.
A film editor has to make many choices in assembling a sequence. In working on the sequence of Officer Ryan interacting with his father as it appeared in Crash, the editor would NOT have had to decide
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The order of successive shots
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When to cut to the next scene
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To end the sequence, with a wipe, dissolve, fade OR cut
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Among different takes
Correct Answer
A. The order of successive shotsExplanation
The editor would not have had to decide the order of successive shots because the question states that the sequence of Officer Ryan interacting with his father "as it appeared in Crash" is being worked on. This implies that the shots are already in a specific order as determined by the director or previous editor, and the current editor does not have the freedom to rearrange them.Rate this question:
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- 4.
In The Cutting Edge, we are told that, historically, editing is a phase of filmmaking that began to develop when
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A studios established different departments to industrialize studio actions
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Early silent film makers, began to tell stories, rather then show simple incidents
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Competition with television, made film makers want to do more
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Computers were able to store, and change movies
Correct Answer
A. Early silent film makers, began to tell stories, rather then show simple incidentsExplanation
Early silent film makers began to tell stories, rather than show simple incidents. This suggests that the development of editing as a phase of filmmaking can be attributed to the shift from simply capturing and presenting everyday events to creating narrative-driven films. As filmmakers realized the potential of storytelling through film, they began to experiment with editing techniques to enhance the narrative structure and create more engaging and cohesive stories.Rate this question:
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- 5.
Vinca Wiedemann argues in “Film Editing—A Hidden Art?” that “most of us have great difficulty in consciously perceiving the editing” in a successful film. This is because
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Successful films prompt spectators to use their imaginations, between the gap of one shot to the next
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Plot and dialogue are much more important to a film, then the gap between shots
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Successful films achieve seamless continuity between shots
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Successful films appeal to emotional and not the ability to peel apart the film
Correct Answer
A. Successful films prompt spectators to use their imaginations, between the gap of one shot to the nextExplanation
According to Vinca Wiedemann, successful films prompt spectators to use their imaginations between the gap of one shot to the next. This means that the editing in these films is done in a way that allows the audience to fill in the gaps and make connections between different shots. The film relies on the viewer's imagination to create a seamless flow and continuity between shots, making the editing less consciously perceivable.Rate this question:
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- 6.
According to the "Rule of Six" formulated by Walter Murch as the basis for describing the ideal edit, the most important reason for making a cut from one shot to another is that it
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Is true to the emotion of the scene
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Propels the plot forward
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Happens at a rhythmically right moment
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Acknowledges the audiences focus as interest
Correct Answer
A. Is true to the emotion of the sceneExplanation
According to the "Rule of Six" formulated by Walter Murch, the most important reason for making a cut from one shot to another is that it is true to the emotion of the scene. This means that the cut should be made in a way that enhances the emotional impact of the scene and effectively conveys the intended emotions to the audience. By aligning the cuts with the emotional content of the scene, the editor can create a more immersive and engaging experience for the viewers.Rate this question:
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- 7.
Any filmed action or conversation, such as a sequence of characters playing chess or walking along a street, has an “axis of action”. An axis of action is
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The imaginary line that lies between the camera lens and the main point of action
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The horizon behind the characters, that is ultimately limiting their movement
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The imaginary horizontal line between the characters being photographed: the main ones
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The line that guides the characters through the movements, in the scene being shot
Correct Answer
A. The imaginary horizontal line between the characters being photographed: the main onesExplanation
An axis of action refers to the imaginary horizontal line between the main characters being photographed. This line guides the characters through their movements in the scene being shot, ensuring consistency and coherence in their actions. It helps to maintain the spatial relationship between the characters and the camera, allowing for smooth and logical progression within the scene.Rate this question:
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- 8.
The phrase “continuity editing” is best understood as meaning
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Editing that extends the intentions of the director, toward the results of the final print of the film
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Editing practices that relates strictly to the editing directions in a script
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The process of beginning to edit a film, one that is still in production
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Editing techniques, used to tell a story in the best way possible
Correct Answer
A. Editing techniques, used to tell a story in the best way possibleExplanation
The phrase "continuity editing" refers to editing techniques that are used to tell a story in the best way possible. This means that the editing process focuses on maintaining continuity and coherence in the narrative, ensuring that the story flows smoothly and is easy for the audience to follow. It involves techniques such as matching cuts, establishing shot-reverse shot sequences, and maintaining consistent spatial and temporal relationships between shots. The goal is to create a seamless and engaging viewing experience for the audience.Rate this question:
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- 9.
N Burnt by the Sun, there is a scene consisting of long shots of characters in a hallway at the dacha alternating with big close-ups of Marussya pouring a glass of water. This scene is a good example of what Barsam and Monahan refer to as
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A modern use of the Koshev effect
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A sequence shot
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The use of shot/ reverse shot in sequence construction
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Intercutting
Correct Answer
A. IntercuttingExplanation
The correct answer is intercutting. In this scene, the long shots of characters in the hallway are alternated with close-ups of Marussya pouring a glass of water. This technique of intercutting helps to create tension and build suspense by juxtaposing different shots and perspectives. It also allows for the simultaneous depiction of different actions and events happening in different locations, enhancing the storytelling and visual dynamics of the scene.Rate this question:
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- 10.
Editor/director Edward Dmytryk argued, among other things, that “All scenes should begin and end with continuing action.” In film, a “scene” is usually considered to be
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A unit of action in which the plot takes a decisive turn
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A complete unit of plot action, incorporating one or more shots
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The individual still image exposed by the camera
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An event taking place at a considerable distance from the camera
Correct Answer
A. A complete unit of plot action, incorporating one or more shotsExplanation
According to Edward Dmytryk, all scenes should begin and end with continuing action. This suggests that a scene is a complete unit of plot action, incorporating one or more shots. This explanation aligns with Dmytryk's argument and the idea that a scene is a self-contained segment of the plot that progresses the story. It also implies that a scene consists of multiple shots, indicating that it involves different camera angles or perspectives to capture the action.Rate this question:
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- 11.
The “Arrival of the Summer Santa” scene in Burnt by the Sun may be said to begin with continuing action because
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The band carrying Stalin's image is already playing and marching
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The scene picks up and continues the plot line begun earlier with Mitya's telephone call
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In earlier scenes the band was seen in the distance as it approached the dacha
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Nadya, who appeared in the previous scene, appears at the dacha gate
Correct Answer
A. The band carrying Stalin's image is already playing and marchingExplanation
The correct answer is the band carrying Stalin's image is already playing and marching. This is because the question asks for the reason why the "Arrival of the Summer Santa" scene in Burnt by the Sun may be said to begin with continuing action. The fact that the band is already playing and marching suggests that the scene is a continuation of a previous event or plot line.Rate this question:
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- 12.
Your choice of how to edit the sequence in order to NOT show the violent action itself stems from Sergei Eisenstein's view that editing causes spectators to generate ideas when the flow of film action is subjected to
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Displacement
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Discontinuity
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Patterning
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Linkage
Correct Answer
A. DiscontinuityExplanation
Sergei Eisenstein believed that editing in film can create a discontinuity in the flow of action, which prompts spectators to generate their own ideas and interpretations. This means that by editing the sequence to not show the violent action itself, the audience is left to imagine and fill in the gaps, stimulating their active engagement with the film.Rate this question:
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- 13.
Nikita Mikhalkov, the director of Burnt by the Sun, said of the film that “I did not set out to make a film just about the past, I intended to say something about the present as well.” That is, although the film was set in 1936, it was intended to touch on attitudes current in
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The USSR during WW 2
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Moscow during the rule of Czar
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Post- Soviet Russia
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The era of Stalin's dictatorship
Correct Answer
A. Post- Soviet RussiaExplanation
The correct answer is "post-Soviet Russia" because Nikita Mikhalkov, the director of Burnt by the Sun, stated that he intended to say something about the present as well as the past with the film. Since the film was set in 1936, it suggests that Mikhalkov wanted to comment on the attitudes and issues in post-Soviet Russia, which would have been the present time when the film was made. This indicates that the film was not only meant to depict the past but also to reflect on the contemporary society.Rate this question:
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- 14.
The director Takeshi Kitano has been quoted as saying that his purpose in making Fireworks (Hana-Bi) was to show
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The close relations between organized crime and the Japanese police
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The Japanese yearning for the simple ways of the past
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A Japanese man's attempt to fulfill his responsibilities
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The imbalance of gender relations in Japan at the time
Correct Answer
A. A Japanese man's attempt to fulfill his responsibilitiesExplanation
The correct answer is a Japanese man's attempt to fulfill his responsibilities. This can be inferred from the statement that the director's purpose in making Fireworks was to show a Japanese man's attempt to fulfill his responsibilities.Rate this question:
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- 15.
A pillow shot is generally thought of as
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An empty shot on which the attention of the spectator can come to rest
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Shot in which the background is soft and indistinct
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Shot of two lovers asleep on a traditional Japanese mat
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Shot taken at early evening
Correct Answer
A. An empty shot on which the attention of the spectator can come to restExplanation
A pillow shot is a shot in a film that provides a momentary pause or break in the narrative, allowing the audience's attention to rest and reflect. It is often an empty shot, devoid of any action or dialogue, and serves as a visual punctuation mark. This technique is used to create a sense of calm and contemplation, allowing the viewer to absorb and process the preceding scenes. By providing a moment of stillness, a pillow shot can enhance the overall pacing and rhythm of a film, and also provide a deeper emotional impact.Rate this question:
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- 16.
Especially in its first half, Fireworks (Hana-Bi) is constructed by editing that
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Uses a disruptive style- unsettling and proactive
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Ensures that the spectator is always clearly oriented in time and space
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Creates a smooth flow of continuous action
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Captures whole scenes in unbroken shots
Correct Answer
A. Uses a disruptive style- unsettling and proactiveExplanation
The correct answer suggests that the film "Fireworks (Hana-Bi)" uses a disruptive style that is unsettling and proactive. This means that the editing techniques used in the film are meant to disturb and provoke the audience, keeping them engaged and on edge. The editing may involve abrupt cuts, unconventional transitions, or unexpected juxtapositions of images. This disruptive style adds tension and excitement to the film, making it a unique and immersive experience for the viewer.Rate this question:
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- 17.
The cut between these two shots in Fireworks (Hana-Bi) exemplifies the concept-generating principle that Sergei Eisenstein located in the Japanese system of writing, and that he referred to as
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Montage
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Jump cut
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Parallel editing
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Dis- continuity
Correct Answer
A. MontageExplanation
The cut between these two shots in Fireworks (Hana-Bi) exemplifies the concept-generating principle that Sergei Eisenstein located in the Japanese system of writing, and that he referred to as montage. Montage refers to the technique of juxtaposing different shots or images together to create a new meaning or idea. In this case, the cut between the shots in Fireworks is likely used to create a specific effect or convey a particular message to the audience.Rate this question:
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- 18.
Whether you are editing the scene for intensified or classical continuity, you might want the viewer to feel a rising tension as Rick and Ilsa begin to quarrel. Your method for achieving this would involve
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Adhering to the 180 degree rule
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Providing a clear understanding of the spacial dimensions in the scene
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Beginning each shot with an action, that has already been underway
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Shaping the rhythmic pattern of successive shots
Correct Answer
A. Shaping the rhythmic pattern of successive shotsExplanation
Shaping the rhythmic pattern of successive shots can help create a rising tension in the scene. By carefully selecting the duration and pacing of each shot, the editor can manipulate the audience's emotions and build anticipation. By gradually increasing the tempo or using quick cuts, the editor can create a sense of urgency and heighten the tension between Rick and Ilsa as they quarrel. This technique allows the editor to control the rhythm and pacing of the scene, enhancing the overall impact on the viewer.Rate this question:
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- 19.
Here are two successive shots from a sequence of The Insider shown in class. The character has not moved from his position at a table. Cutting to the second shot from the first suggests
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Sloppy editing
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Filmmakers willingness to provoke viewer engagement through disorientation
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Attempt to show both sides
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Intention to adhere to the 180 degree rule, despite the requirements of the story
Correct Answer
A. Filmmakers willingness to provoke viewer engagement through disorientationExplanation
The correct answer suggests that the filmmakers intentionally chose to cut from the first shot to the second in order to provoke viewer engagement through disorientation. This means that they wanted to create a sense of confusion or surprise in the audience, making them more actively involved in the film and its storytelling.Rate this question:
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- 20.
The term “intensified continuity” refers to the tendency in recent popular cinema to
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Observe the norms of classical continuity, but with a more emphatic visual style
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Construct whole films from continuous series of sequence shots
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Avoid breaks
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Edit films so as to create continuous dialogue
Correct Answer
A. Observe the norms of classical continuity, but with a more emphatic visual styleExplanation
"Intensified continuity" refers to a trend in recent popular cinema where filmmakers adhere to the traditional rules of classical continuity, such as maintaining a logical and coherent narrative, but with a more visually striking and impactful style. This means that while the basic principles of storytelling and editing are followed, there is a greater emphasis on creating visually engaging and dynamic shots to enhance the overall cinematic experience.Rate this question:
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- 21.
When David Bordwell formulated his description of common components of today’s “intensified continuity”, he did NOT include
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Stationary camera
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A free- ranging camera
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Close framings in dialogue scenes
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Rapid editing
Correct Answer
A. Stationary cameraExplanation
David Bordwell's description of "intensified continuity" refers to a style of filmmaking characterized by rapid editing, close framings in dialogue scenes, and a free-ranging camera. However, it does not include the use of a stationary camera.Rate this question:
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- 22.
The director might want the viewer to see and hear what it is like for Rick and Ilsa to be surrounded by other diners and the activity of the busy restaurant as their conversation turns into an argument and then a fight. In this case, the editing option that you suggest to the director is
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Constructing the sequence from shots with the least depth of field
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Using a split screen technique
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Using the uncut master shot for most of the sequence
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Substituting wipes for cuts in the editing of the sequence
Correct Answer
A. Using the uncut master shot for most of the sequenceExplanation
The director might want the viewer to feel the intensity and claustrophobia of the argument and fight between Rick and Ilsa by immersing them in the busy atmosphere of the restaurant. By using the uncut master shot for most of the sequence, the director can maintain a continuous flow and capture the entire scene without any interruptions or cuts. This will allow the audience to experience the escalating tension in real-time, making them feel like they are right there in the restaurant with the characters.Rate this question:
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- 23.
Slumdog Millionaire takes place largely in
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Mumbai
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New Delhi
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Agra
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Africa
Correct Answer
A. MumbaiExplanation
The correct answer is Mumbai because the majority of the film Slumdog Millionaire is set in this city. The story follows the life of Jamal Malik, a young man from the slums of Mumbai, as he participates in the Indian version of the game show Who Wants to Be a Millionaire. The film showcases various locations in Mumbai, including the slums, train stations, and iconic landmarks like the Taj Mahal Palace Hotel. Mumbai serves as a backdrop to portray the struggles and aspirations of the characters in the movie.Rate this question:
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- 24.
Marks: 1 Here are two successive shots from a sequence in Slumdog Millionaire. Together, the two shots exemplify an important editing pattern usually called
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Intercutting
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Shot/ reverse shot
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Match on action
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Parallel editing
Correct Answer
A. Shot/ reverse shotExplanation
The two successive shots from a sequence in Slumdog Millionaire exemplify the editing pattern of shot/reverse shot. This pattern is commonly used in filmmaking to depict a conversation or interaction between two characters. It involves alternating shots between the characters, with one shot showing the character speaking or reacting and the other shot showing the character they are interacting with. This technique helps to create a sense of continuity and engagement between the characters and enhances the overall storytelling.Rate this question:
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- 25.
Time code usually means
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The relationship between the running time of the film and the time it took to make it
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Uses of costumes, decor... to set a time in a particular period of time
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Necessity of differing between a film from beginning to the end
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System for identifying individual frames in film
Correct Answer
A. System for identifying individual frames in filmExplanation
The term "time code" typically refers to a system used for identifying individual frames in a film. This system assigns a unique code to each frame, allowing for precise identification and synchronization of specific moments in the film. It is commonly used in post-production processes such as editing, visual effects, and sound design, where accurate frame referencing is crucial. This helps filmmakers and technicians to easily locate and work with specific frames or sections of the film.Rate this question:
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Jun 07, 2023Quiz Edited by
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Dec 20, 2011Quiz Created by
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