A Trivia Quiz On Film Terminology!

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A Trivia Quiz On Film Terminology! - Quiz

The film industry is such a fascinating entity, and there are so many different terms relating to film. This quiz puts some of these terms on display. In this quiz, you will be responsible for knowing what crosscutting is, what does the film Hana-Bi an example of, what a narrative is, what kind of technique is a 180 -degree system, and what reflexivity is. This quiz will provide you with many words associated with film. You got this.


Questions and Answers
  • 1. 

    Crosscutting is a term that refers to

    • A.

      A technique that smooths the transition between shots portraying a single action.

    • B.

      Editing that cuts between two or more actions occurring at the same time and place.

    • C.

      The removal of a portion of the film resulting in an instantaneous advance in action.

    • D.

      A direct change from one shot to another.

    Correct Answer
    B. Editing that cuts between two or more actions occurring at the same time and place.
    Explanation
    The term "crosscutting" in film refers to the technique of editing that cuts between two or more actions occurring simultaneously at different locations. This technique is commonly used to create tension, build suspense, or show the parallel actions happening in different places. By intercutting between these actions, the audience can understand the connection between them and experience a sense of simultaneous events taking place.

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  • 2. 

    The film Hana-Bi is an example of

    • A.

      Discontinuity editing.

    • B.

      Continuity editing.

    • C.

      Intensified continuity.

    • D.

      A Japanese man with many responsibilities.

    Correct Answer
    A. Discontinuity editing.
    Explanation
    The film Hana-Bi is an example of discontinuity editing because it utilizes various techniques to create deliberate breaks or discontinuities in the narrative flow. This can be seen through the non-linear storytelling, jump cuts, and abrupt transitions between scenes. The film's fragmented structure and unconventional editing choices enhance the sense of disorientation and emotional impact, making it a prime example of discontinuity editing.

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  • 3. 

    A narrative is something innate to all cultures and follows a structure like which of the following

    • A.

      Climax, emotional response, end.

    • B.

      Explains the state of affairs, complicating actions, emotional response.

    • C.

      Intro of setting and characters, state of affairs, initiating event.

    • D.

      None of the above.

    Correct Answer
    C. Intro of setting and characters, state of affairs, initiating event.
    Explanation
    The correct answer is "intro of setting and characters, state of affairs, initiating event." This answer follows the structure of a narrative. The introduction of setting and characters sets the stage for the story, the state of affairs establishes the initial situation, and the initiating event kicks off the main conflict or action of the narrative. This sequence is commonly found in storytelling across different cultures.

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  • 4. 

    A master shot (also referred to as an establishing shot or cover shot) serves the purpose of

    • A.

      Showing a character from the chest to the top of the head.

    • B.

      Shot of a particular detail.

    • C.

      A full body shot filling the frame.

    • D.

      A foundation for a sequence that shows the location of the ensuing action.

    Correct Answer
    D. A foundation for a sequence that shows the location of the ensuing action.
    Explanation
    A master shot, also known as an establishing shot or cover shot, is used to provide a foundation for a sequence that shows the location of the ensuing action. It typically captures the entire setting or environment where the scene takes place, helping to establish the context and spatial relationships between characters and objects. This shot helps orient the audience and sets the stage for the following shots and actions that will occur in that location.

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  • 5. 

    The 180 degree system is a technique that

    • A.

      Maintains consistent screen direction.

    • B.

      Orients the viewer and ensures a sense of cinematic space.

    • C.

      Allows for the camera to move side to side over an imaginary line.

    • D.

      Both A and B.

    Correct Answer
    D. Both A and B.
    Explanation
    The 180 degree system is a technique used in filmmaking to maintain consistent screen direction, which helps orient the viewer and ensures a sense of cinematic space. By adhering to this system, the camera can move side to side over an imaginary line without confusing the audience. Therefore, the correct answer is both A and B.

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  • 6. 

    Versimilitude is a term that means

    • A.

      Placing into infinity.

    • B.

      The character whose point-of-view we follow in a film.

    • C.

      The perspective that we follow in a film.

    • D.

      The true likeness or appearance of reality.

    Correct Answer
    D. The true likeness or appearance of reality.
    Explanation
    The term "versimilitude" refers to the true likeness or appearance of reality. In the context of film, it means that the film portrays events, characters, and settings in a way that closely resembles real life. It aims to create a sense of believability and authenticity for the audience. This can be achieved through various techniques such as realistic dialogue, accurate portrayal of emotions, and attention to details in the visual aspects of the film. By striving for versimilitude, filmmakers aim to make the audience feel like they are experiencing a genuine depiction of reality.

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  • 7. 

    Reflexivity is a term that refers to

    • A.

      An editing technique that cuts to the future in a narrative.

    • B.

      Acknowledging the cinematic device reminding viewers that they are watching a film.

    • C.

      Self representation intended to combat stereotypes.

    • D.

      The placement of two things that are usually abstract near one another.

    Correct Answer
    B. Acknowledging the cinematic device reminding viewers that they are watching a film.
    Explanation
    Reflexivity is a term that refers to acknowledging the cinematic device reminding viewers that they are watching a film. This means that in a reflexive film, the director intentionally includes elements that break the fourth wall and remind the audience that they are watching a movie. This can be done through techniques such as characters directly addressing the audience, using self-referential dialogue, or including references to filmmaking itself. By doing so, reflexivity aims to create a self-awareness and engagement with the medium of film, highlighting its artificiality and challenging traditional storytelling conventions.

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  • 8. 

    The elements of mise-en-scene include

    • A.

      Costumes

    • B.

      Make-up

    • C.

      Scenery

    • D.

      Movement

    • E.

      None of the above

    • F.

      All of the above

    Correct Answer
    F. All of the above
    Explanation
    Mise-en-scene refers to the arrangement of visual elements in a film scene, including costumes, make-up, scenery, and movement. These elements work together to create the overall look and feel of a scene, enhancing the storytelling and conveying the director's vision. Therefore, the correct answer is "all of the above" as all these elements are essential components of mise-en-scene.

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  • 9. 

    Which of the following is NOT a binary opposite that Western film is based on

    • A.

      Formal realism/social realism

    • B.

      Individual/community

    • C.

      Wilderness/civilization

    • D.

      Nature/culture

    Correct Answer
    A. Formal realism/social realism
    Explanation
    Western film is known for its portrayal of the American frontier and the conflict between wilderness and civilization. It often explores the tension between the individual and the community, as well as the dichotomy between nature and culture. However, formal realism and social realism are not typically considered binary opposites in the context of Western film.

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  • 10. 

    Graphic match cut refers to

    • A.

      The omission of time that separates one shot from another.

    • B.

      The intercutting of two or more lines of action that occur simultaneously.

    • C.

      The similarity between shots A and B is in the shape and form of what we see.

    • D.

      None of the above.

    Correct Answer
    C. The similarity between shots A and B is in the shape and form of what we see.
    Explanation
    The correct answer is "the similarity between shots A and B is in the shape and form of what we see." This refers to a graphic match cut, which occurs when two shots are edited together based on their visual similarity in terms of shape and form. This technique creates a seamless transition between shots and enhances the visual continuity of the film. It helps to create a cohesive visual language and can be used to highlight thematic or narrative connections between different scenes.

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  • 11. 

    A scene is 

    • A.

      A direct change from one shot to the next.

    • B.

      An uninterrupted run of the camera.

    • C.

      A complete unit of plot action.

    • D.

      A series of edited shots characterized by inherent unity, theme and purpose.

    Correct Answer
    C. A complete unit of plot action.
    Explanation
    The correct answer is "a complete unit of plot action." A scene refers to a specific segment within a film or play that presents a continuous action or event. It is a self-contained unit that advances the plot and often takes place in a single location or time frame. Scenes are used to break down a story into manageable chunks and provide a cohesive narrative structure. They help to build tension, develop characters, and drive the plot forward.

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  • 12. 

    Genre refers to

    • A.

      A particular style or category of works of art.

    • B.

      The storytelling aspects of film that seem to exist on their own.

    • C.

      The feeling that the audience gets by means of the writing of a script.

    • D.

      The impact that a film has on an audience.

    Correct Answer
    A. A particular style or category of works of art.
    Explanation
    Genre refers to a particular style or category of works of art. It is a way of classifying and categorizing different types of artistic creations based on their common characteristics, themes, or subject matter. In the context of film, genre helps to define and identify different types of movies, such as comedy, drama, horror, or science fiction. It allows filmmakers and audiences to have certain expectations and understand the conventions and tropes associated with a specific genre. By understanding the genre of a film, viewers can better appreciate and analyze the artistic choices and techniques used in its creation.

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  • 13. 

    What are the four dimensions of film editing

    • A.

      Emotional relations, rhythmic relations, focus relations, continuity relations.

    • B.

      Graphic relations, collision relations, temporal relations, planarity relations.

    • C.

      Temporal relations, graphic relations, spatial relations, rhythmic relations.

    • D.

      Rhythmic relations, emotional relations, temporal relations, physical relations.

    Correct Answer
    C. Temporal relations, grapHic relations, spatial relations, rhythmic relations.
    Explanation
    The four dimensions of film editing are temporal relations, graphic relations, spatial relations, and rhythmic relations. Temporal relations refer to the manipulation of time in the editing process, such as the ordering and pacing of shots. Graphic relations involve the visual composition and design elements within each shot, including shapes, lines, and colors. Spatial relations deal with the arrangement and movement of objects within the frame, creating depth and perspective. Rhythmic relations focus on the timing and rhythm of the editing, creating a cohesive and harmonious flow between shots.

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  • 14. 

    Intensified continuity involves

    • A.

      More rapid editing.

    • B.

      A higher pitch of emphasis.

    • C.

      The dominant style of American mass-audience films.

    • D.

      A free-ranging camera.

    • E.

      All of the above.

    Correct Answer
    E. All of the above.
    Explanation
    The correct answer is "all of the above." Intensified continuity refers to a filmmaking style that incorporates more rapid editing, a higher pitch of emphasis, and the dominant style of American mass-audience films. It also involves a free-ranging camera. Therefore, all of these elements are characteristic of intensified continuity.

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  • 15. 

    Diegetic sounds is a sound that

    • A.

      Emanates from the scene and is not extraneous to it.

    • B.

      The primary focus of the 11'09"01 article.

    • C.

      Music played over the scene and is the primary sound heard.

    • D.

      Both A and B.

    Correct Answer
    D. Both A and B.
    Explanation
    Diegetic sounds refer to sounds that originate from the scene itself and are not added artificially. This includes sounds like footsteps, dialogue, or any other sound that can be heard by the characters in the scene. The correct answer "both A and B" is justified because diegetic sounds can include both sounds that emanate from the scene (option A) as well as music played over the scene (option B) if it is part of the narrative and can be heard by the characters.

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Our quizzes are rigorously reviewed, monitored and continuously updated by our expert board to maintain accuracy, relevance, and timeliness.

  • Current Version
  • Mar 21, 2023
    Quiz Edited by
    ProProfs Editorial Team
  • Dec 20, 2011
    Quiz Created by
    Gmccabe

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