Semester 2: Electric Boogaloo Final Exam assesses knowledge on film production roles, such as Foley Artists, Line Producers, and Gaffers, focusing on sound effects, set safety, directorial power, shot composition, and continuity.
Decorate the sets
Make Sound Effects
Design Sets
Special Effects Make Up
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Line Producer
Director
Producer
Art Director
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Movie Directors have all the power while in TV the writers have all the power.
Nothing
Movie Directors make more money
Movie Directors oversee Special Effects but TV Directors do not
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Ascending lines
Color Contrast
Rule of Thirds
Framing
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Gaffer
Director of Photography
Prop Master
Producer
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In charge of continuity
Supervise the writer
Writes the script
They are a type of producer
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Director of Photography
Art Director
Executive Producer
Gaffer
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Director
Costume Designer
Art Director
Editor
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Philo T. Farnsworth
Thomas Edison
Benjamin Franklin
General Electric
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The Great Train Robbery
The General
Gone with the Wind
Cupid Angling
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The Lumiere Brothers
The Cohen Brothers
Nikola Tesla
Philo T. Farnsworth
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A wide shot that shows all actors and all parts of a scene
All of these
A really good shot
The first shot of the movie
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It serves as a blueprint for the rest of your shots
It establishes where everyone is in the scene
It serves as a back-up so you can have a completed scene
All of these
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Act 2
Act 1
The Climax
Act 3
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The Climax
Act 1
Act 2
Act 3
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Moving the camera up or down
No Movement
An explosion special effect
Move the camera left or right
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A special Lens
Camera Gnomes
A button
A mechanism in the camera
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Turning the camera left or right
Moving the camera up or down
Nudge the camera forward
Moving the camera back
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Interior
Inside
A long scene
A scene that has dialogue
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Exterior
When a character exits
An exciting scene with lots of action
Nothing
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Something that goes above dialogue that gives direction to the actor.
A character that is a parent
A description of a main character
Dialogue
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Quotation marks
Exclamation Points
Paragraphs
Periods
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Depth of Field
Rule of Thirds
Color Contrast
Ascending Lines
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Ascending Lines
Rule of Thirds
Rule of Triangles
Monochromatic
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Rule of Triangles
Monochromatic
Framing
Ascending Lines
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Point of View
Color Contrast
Depth of Field
Wide Shot
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Color Contrast
Rule of Thirds
Medium Shot
Monochromatic
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Depth of Field
Point of View
Color Contrast
Framing
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Color Contrast
Framing
Wide Shot
Ascending Lines
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Bust Shot
Close Up
Wide Shot
Over The Shoulder
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Cowboy
Wide
Triangle
Close up
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Close Up
Medium
Over The Shoulder
Monochromatic
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Medium Shot
Wide Shot
Cowboy/American
Happy
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2
5.6
16
22
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2000
100
500
60
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The amount of light let into the camera
How long the Shutter is Open
Depth of field
How bright the colors are
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Shutter Speed - 100/Aperture - 3.5
Shutter Speed - 1000/Aperture - 16
Shutter Speed - 400/Aperture - 5.6
Shutter Speed - 800/Aperture - 2
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Shutter - 500/ Aperture - 16
Shutter - 400/ Aperture - 3.5
Shutter - 2000/ Aperture - 2
Shutter - 60/ Aperture - 11
How long the Iris is open for each picture
Depth of Field
Size of the Video
The Frame Rate
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30
15
60
50
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W
L
Z
I
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I
T
E
K
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O
I
T
M
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M
S
L
I
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Over the Shoulder
Close up
Extreme Close up
Cowboy/American
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Medium
Point of view
Wide
Close Up
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Close Up
Extreme Close Up
Medium
Bust Shot
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Wide Shot
Medium
Extreme Wide
Triangle
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