Music Composer And Their History Practice Quiz! Trivia
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- 1.
The composer whose career was a model for many romantic composers was
- A.
Mozart
- B.
Bach
- C.
Beethoven
Correct Answer
C. BeethovenExplanation
Beethoven's career served as a model for many romantic composers because he was a pivotal figure in the transition from the classical to the romantic era. He expanded the traditional forms and structures of classical music, introducing more emotional and expressive elements into his compositions. Beethoven's innovative approach to music composition, his use of dramatic contrasts, and his ability to evoke powerful emotions greatly influenced future romantic composers. His works, such as his symphonies and piano sonatas, continue to be revered and studied by composers and musicians alike, making him a significant influence on the development of romantic music.Rate this question:
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- 2.
When music conservatories were founded, women
- A.
Were admitted only as vocalists or pianists
- B.
Were at first accepted only as students of performance, but by the late 1800's could study musical composition
- C.
Were not admitted
Correct Answer
B. Were at first accepted only as students of performance, but by the late 1800's could study musical compositionExplanation
In the early days of music conservatories, women were initially only allowed to study performance, specifically as vocalists or pianists. However, as time passed and the late 1800s approached, women were given the opportunity to study musical composition as well. This shows a gradual shift in the acceptance and recognition of women's musical abilities, allowing them to explore and excel in different areas of music beyond just performance.Rate this question:
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- 3.
Schubert's songs number more than
- A.
50
- B.
100
- C.
600
Correct Answer
C. 600Explanation
Schubert's songs number more than 600. This means that he composed a large number of songs throughout his career. Schubert was a prolific composer known for his contributions to the art song genre. His songs are characterized by their melodic beauty and emotional depth. The fact that he composed over 600 songs showcases his dedication and creativity as a composer.Rate this question:
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- 4.
Schumann's works are
- A.
Intensely autobiographical
- B.
Usually linked with descriptive titles, texts, or programs
- C.
Essentially lyrical in nature
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
The correct answer is "all of the above". This is because Schumann's works are intensely autobiographical, as they often reflect his personal emotions and experiences. They are also usually linked with descriptive titles, texts, or programs, which provide further context and meaning to the music. Additionally, Schumann's works are essentially lyrical in nature, as they often prioritize melody and expressiveness. Therefore, all of these statements accurately describe Schumann's works.Rate this question:
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- 5.
Clara Wieck was
- A.
the daughter of Schumann's piano teacher
- B.
A virtuoso pianist
- C.
Schumann's wife
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Clara Wieck was the daughter of Schumann's piano teacher, making her the daughter of a pianist. She was also a virtuoso pianist herself, known for her exceptional talent and skill. Additionally, Clara Wieck eventually became Schumann's wife, making her all of the above.Rate this question:
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- 6.
As a writer and critic, Schumann
- A.
Founded and edited the "New Journal of Music"
- B.
Discovered and made famous some of the leading composers of his day
- C.
Wrote appreciative review of young "radical" composers like Chopin and Berlioz
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Schumann's role as a writer and critic is highlighted in all of the given options. He founded and edited the "New Journal of Music," which indicates his involvement in the publication and editorial aspects of writing. Additionally, he discovered and made famous some of the leading composers of his time, showcasing his ability to recognize talent and promote their work. Lastly, he wrote appreciative reviews of young "radical" composers like Chopin and Berlioz, demonstrating his support for innovative and unconventional musical styles. Therefore, all of the above options accurately describe Schumann's contributions as a writer and critic.Rate this question:
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- 7.
In the 1830s when Chopin lived in Paris, it was
- A.
A center of romanticism
- B.
The artistic capital of Europe
- C.
The home of Victor Hugo, Honore de Balzac, and Heinrich Heine
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
During the 1830s, Paris was a hub of romanticism, as it was the artistic capital of Europe and home to renowned writers and artists such as Victor Hugo, Honore de Balzac, and Heinrich Heine. The city's vibrant artistic scene and the presence of these influential figures made it a center of creativity and intellectualism. Therefore, the correct answer is "all of the above."Rate this question:
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- 8.
Chopin was
- A.
An extroverted virtuoso
- B.
Robust and flamboyant
- C.
Shy and reserved
Correct Answer
C. Shy and reservedExplanation
The given answer suggests that Chopin was shy and reserved. This means that he was introverted and not very outgoing. He preferred to keep to himself and was not flamboyant or showy in his behavior. This characterization aligns with historical accounts of Chopin's personality, as he was known to be a private and introspective individual.Rate this question:
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- 9.
Liszt typified the romantic movement because he
- A.
Had a charismatic personality
- B.
Was a stupendous performer
- C.
Was an innovative composer
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Liszt typified the romantic movement because he had a charismatic personality, was a stupendous performer, and was an innovative composer. The romantic movement in music emphasized individual expression, emotion, and virtuosity, all of which were characteristics embodied by Liszt. His charismatic personality allowed him to captivate audiences and establish a strong connection with them. As a performer, he pushed the boundaries of technical skill and showmanship, dazzling audiences with his virtuosic piano playing. Additionally, Liszt's innovative compositions broke traditional rules and explored new harmonic and structural possibilities, making him a key figure in the romantic movement.Rate this question:
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- 10.
Liszt created the _____________________, a one-movement orchestral composition based to some extent on a literary or pictorial idea.
- A.
Opera
- B.
Symphonic poem
- C.
Piano concerto
Correct Answer
B. SympHonic poemExplanation
A symphonic poem is a one-movement orchestral composition that is based on a literary or pictorial idea. Liszt is known for creating symphonic poems, which are characterized by their programmatic nature, meaning that they tell a story or convey a specific idea through music. Unlike an opera, which is a dramatic work with singing and acting, or a piano concerto, which features a solo piano accompanied by an orchestra, a symphonic poem is solely orchestral and focuses on evoking emotions and imagery through music.Rate this question:
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- 11.
Mendelssohn is known as the man who rekindled an interest in the music of
- A.
Giovanni Pierluigi da Palestrina
- B.
Johann Sebastian Bach
- C.
George Frideric Handel
Correct Answer
B. Johann Sebastian BachExplanation
Mendelssohn is known as the man who rekindled an interest in the music of Johann Sebastian Bach. Mendelssohn was a German composer and conductor who played a crucial role in reviving the music of Bach, which had been largely forgotten after Bach's death. Mendelssohn's performance of Bach's St. Matthew Passion in 1829 was a major turning point in the rediscovery and appreciation of Bach's music. Mendelssohn's efforts to promote and popularize Bach's works greatly contributed to the recognition and influence of Bach as one of the greatest composers in history.Rate this question:
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- 12.
Parisians were startled by Berlioz's Fantastic Symphony because of its
- A.
Sensationally autobiographical program
- B.
Amazingly novel orchestration
- C.
Vivid description of the weird and diabolical
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
The correct answer is "all of the above." Parisians were startled by Berlioz's Fantastic Symphony because it had a sensationally autobiographical program, amazingly novel orchestration, and vivid descriptions of the weird and diabolical. These elements combined to create a symphony that was unlike anything they had heard before, leading to their surprise and astonishment.Rate this question:
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- 13.
Nadezhda von Meck was
- A.
One of Tchaikovsky's lovers
- B.
A wealthy benefactress who provided Tchaikovsky with an annuity
- C.
Tchaikovsky's wife
Correct Answer
B. A wealthy benefactress who provided Tchaikovsky with an annuityExplanation
Nadezhda von Meck was a wealthy benefactress who provided Tchaikovsky with an annuity. This means that she financially supported Tchaikovsky by giving him a regular income. She played a significant role in his life by allowing him the financial stability to focus on his music and composition.Rate this question:
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- 14.
At its premiere in 1870, Tchaikovsky's Romeo and Juliet Overture was
- A.
A tremendous success
- B.
A dismal failure
- C.
Performed by a large orchestra, with chorus and cannon
Correct Answer
B. A dismal failureExplanation
The given correct answer is "a dismal failure." This suggests that Tchaikovsky's Romeo and Juliet Overture did not receive a positive response or was not well-received at its premiere in 1870. This indicates that the performance was likely unsuccessful and did not resonate with the audience or critics.Rate this question:
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- 15.
Critics were often scandalized by the subject matter of Verdi's operas because they
- A.
Commemorated the Suez canal, which was not even in Europe
- B.
Were based on Shakespearean plays
- C.
Seemed to condone rape, suicide, and free love
Correct Answer
C. Seemed to condone rape, suicide, and free loveExplanation
The correct answer is "seemed to condone rape, suicide, and free love." Critics were often scandalized by the subject matter of Verdi's operas because they contained themes and storylines that were considered controversial and morally objectionable. Verdi's operas often depicted characters engaging in actions such as rape, suicide, and free love, which went against the societal norms and values of the time. This provocative subject matter caused a great deal of controversy and criticism from the conservative critics of Verdi's era.Rate this question:
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- 16.
Verdi's great comic masterpiece, written when he was seventy-nine, is
- A.
Il Trovatore
- B.
Otello
- C.
Falstaff
Correct Answer
C. FalstaffExplanation
Verdi's great comic masterpiece, written when he was seventy-nine, is "Falstaff". This opera, based on William Shakespeare's "The Merry Wives of Windsor" and "Henry IV", showcases Verdi's mastery of comedic timing and musical wit. It is considered one of Verdi's greatest works and is known for its lively and humorous characters, intricate ensemble writing, and brilliant orchestration. "Il Trovatore" and "Otello" are both tragic operas composed by Verdi, but "Falstaff" stands out as his only true comedic opera.Rate this question:
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- 17.
Verdi studied music in _____________, the city where Italy's most important opera house, La Scala, is located.
- A.
New York City
- B.
Venice
- C.
Milan
Correct Answer
C. MilanExplanation
Verdi studied music in Milan, which is the city where Italy's most important opera house, La Scala, is located. This suggests that Milan is a significant center for music education and performance, making it a logical choice for Verdi to pursue his studies in music.Rate this question:
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- 18.
Verdi mainly composed his operas
- A.
To entertain a mass public
- B.
For the Italian musical elite
- C.
To glorify the singers
Correct Answer
A. To entertain a mass publicExplanation
Verdi mainly composed his operas to entertain a mass public. This can be inferred from the fact that Verdi's operas were known for their catchy melodies, dramatic storylines, and emotional performances, which were all elements that appealed to a wider audience. Additionally, Verdi's operas were often performed in large theaters and were accessible to the general public, further supporting the idea that his primary goal was to entertain a mass audience.Rate this question:
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- 19.
Puccini's opera has lasting appeal because
- A.
He had a marvelous sense of theater
- B.
His melodies have short, memorable phrases and are intensely emotional
- C.
He minimized the difference between aria and recitative, thus created a continuous flow of music
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Puccini's opera has lasting appeal because he had a marvelous sense of theater, his melodies have short, memorable phrases and are intensely emotional, and he minimized the difference between aria and recitative, thus creating a continuous flow of music. These factors combined contribute to the enduring popularity of his operas, as they engage the audience both visually and emotionally, while also maintaining a seamless musical experience.Rate this question:
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- 20.
An artistic trend of the 1890s, in which operas dealt with ordinary people and true-to-life situations, was known as
- A.
Cavalleria rusticana
- B.
Verismo
- C.
Exoticism
Correct Answer
B. VerismoExplanation
Verismo is the correct answer because it refers to an artistic trend in the 1890s where operas focused on portraying ordinary people and realistic situations. This movement aimed to bring a sense of truth and authenticity to opera, deviating from the more romantic and fantastical themes of previous eras. Verismo operas often depicted everyday life, including love, jealousy, and tragedy, and sought to capture the raw emotions and experiences of the common person.Rate this question:
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- 21.
Wagner called his works "music dramas" rather than operas because
- A.
There is a continuous musical flow within each act
- B.
There are no breaks where applause can interrupt
- C.
The vocal line is inspired by the rhythms and pitches of the German text
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Wagner called his works "music dramas" rather than operas because there is a continuous musical flow within each act, there are no breaks where applause can interrupt, and the vocal line is inspired by the rhythms and pitches of the German text. This means that Wagner's intention was to create a seamless and immersive experience for the audience, where the music, text, and performance are intertwined without any interruptions.Rate this question:
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- 22.
A short musical idea associated with a person, object, or thought, used by Wagner in his operas, is called
- A.
Leitmotif
- B.
Lied
- C.
Unending melody
Correct Answer
A. LeitmotifExplanation
A short musical idea associated with a person, object, or thought, used by Wagner in his operas, is called a leitmotif. This term refers to a recurring musical theme that represents a specific character, idea, or emotion throughout the opera. Wagner popularized the use of leitmotifs in his works, using them to create a cohesive and interconnected musical narrative. These motifs help to enhance the storytelling and provide a musical representation of the characters and themes in the opera.Rate this question:
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- 23.
Wagner had an opera house built to his own specifications in
- A.
Weimar
- B.
Miami
- C.
Bayreuth
Correct Answer
C. BayreuthExplanation
Wagner had an opera house built to his own specifications in Bayreuth. Bayreuth is the correct answer because it is well-known that Richard Wagner, the German composer, built an opera house in Bayreuth specifically for the performance of his own works. This opera house, known as the Bayreuth Festspielhaus, was designed according to Wagner's vision and is still in use today for the annual Bayreuth Festival dedicated to the performance of his operas.Rate this question:
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- 24.
The deliberate intent to draw creative inspiration from the composer's own homeland is known as
- A.
Exoticism
- B.
Nationalism
- C.
Verismo
Correct Answer
B. NationalismExplanation
Nationalism refers to a deliberate intent to draw creative inspiration from the composer's own homeland. It involves incorporating elements of the composer's cultural heritage, traditions, and folklore into the music. This can be seen in the use of folk melodies, rhythms, and harmonies that are characteristic of a particular country or region. Nationalistic composers often aim to evoke a sense of national identity and pride through their music, celebrating the unique qualities and spirit of their homeland.Rate this question:
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- 25.
The typical orchestra of the late romantic period numbered about ___________ musicians.
- A.
15
- B.
40
- C.
100
Correct Answer
C. 100Explanation
During the late romantic period, orchestras grew in size and complexity. Composers like Mahler and Wagner wrote music that required large ensembles to fully express their vision. The standard size for a late romantic orchestra was around 100 musicians. This allowed for a wide range of instruments, including a full string section, woodwinds, brass, and percussion. The larger orchestra size provided the necessary power and richness of sound to perform the intricate and grandiose compositions of the time.Rate this question:
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- 26.
Music intended to be performed before or during a play, to set the mood for scenes or highlight dramatic action, is known as
- A.
Play music
- B.
Incidental music
- C.
Absolute music
Correct Answer
B. Incidental musicExplanation
Incidental music refers to the type of music that is specifically composed to be performed before or during a play in order to enhance the overall mood of the scenes or to emphasize the dramatic action taking place on stage. It is designed to complement and enhance the theatrical experience, rather than being the main focus of attention like absolute music. Therefore, incidental music is the correct answer in this context.Rate this question:
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- 27.
Instrumental music which is written for its own sake, and for which the composer does not provide a program, is called
- A.
Absolute music
- B.
Program music
- C.
Music for its own sake
Correct Answer
A. Absolute musicExplanation
Absolute music refers to instrumental music that is written for its own sake, without any specific program or narrative provided by the composer. It is music that exists purely for the enjoyment of the listener and is not intended to represent or depict anything outside of itself. This type of music allows the listener to interpret and experience the emotions and sensations evoked by the music without any external guidance or narrative.Rate this question:
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- 28.
Approximately, the romantic period encompassed the years
- A.
1600-1750
- B.
1750-1820
- C.
1820-1900
Correct Answer
C. 1820-1900Explanation
The correct answer is 1820-1900. The romantic period in literature and art is generally considered to have begun around the late 18th century and lasted until the late 19th century. During this time, there was a shift in artistic and literary focus towards individualism, emotion, and nature. This period saw the rise of Romanticism as a dominant movement, with artists and writers such as William Wordsworth, Lord Byron, and John Keats leading the way. The given answer of 1820-1900 falls within this timeframe and aligns with the commonly accepted duration of the romantic period.Rate this question:
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- 29.
Which of the following is not a characteristic of romanticism?
- A.
Emotional restraint
- B.
Individualism
- C.
Supernaturalism
Correct Answer
A. Emotional restraintExplanation
Emotional restraint is not a characteristic of romanticism because the movement emphasized expressing intense emotions and passions freely. Romanticism celebrated individualism, encouraging artists to explore their unique perspectives and emotions. It also embraced supernaturalism, often incorporating elements of fantasy, the mystical, and the supernatural in art and literature. However, emotional restraint goes against the spirit of romanticism, which sought to break free from societal conventions and embrace the full range of human emotions.Rate this question:
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- 30.
Drawing creative inspiration from cultures of lands foreign to the composer is known as
- A.
Exoticism
- B.
Nationalism
- C.
Program music
Correct Answer
A. ExoticismExplanation
Exoticism refers to the practice of drawing creative inspiration from cultures that are foreign to the composer. It involves incorporating elements, themes, or styles from these cultures into the composition to create a sense of novelty and fascination. This can include using melodies, rhythms, instruments, or other musical characteristics that are associated with a particular foreign culture. Exoticism allows composers to explore and experiment with different musical traditions, adding diversity and richness to their compositions.Rate this question:
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- 31.
Composers in the twentieth century drew inspiration from:
- A.
Folk and popular music from all cultures
- B.
European art music from the Middle Ages through the 19th century
- C.
The music of Asia and Africa
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Composers in the twentieth century drew inspiration from a wide range of sources, including folk and popular music from all cultures, European art music from the Middle Ages through the 19th century, as well as the music of Asia and Africa. They incorporated elements from these diverse musical traditions into their compositions, resulting in a rich and eclectic musical landscape.Rate this question:
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- 32.
Among the unusual playing techniques that are widely used during the twentieth century is the _____________________, a rapid slide up or down a scale.
- A.
Buzz
- B.
Glissando
- C.
Slip
Correct Answer
B. GlissandoExplanation
The correct answer is "glissando". A glissando is a musical technique where a performer rapidly slides their fingers or a bow up or down a scale, creating a smooth and continuous transition between pitches. This technique is commonly used in 20th-century music and is considered an unusual playing technique.Rate this question:
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- 33.
A motive or phrase that is repeated persistently at the same pitch throughout a section is called
- A.
Polytonality
- B.
Glissando
- C.
Ostinato
Correct Answer
C. OstinatoExplanation
An ostinato is a motive or phrase that is repeated persistently at the same pitch throughout a section. It adds a sense of repetition and rhythmic drive to the music. This technique is commonly used in various genres of music to create a memorable and hypnotic effect. Polytonality refers to the use of multiple keys or tonalities simultaneously, while glissando is a sliding or gliding effect between two pitches.Rate this question:
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- 34.
In twentieth-century music
- A.
String players are sometimes called on to use the wood instead of the hair on their bows
- B.
Percussion instruments have become very prominent and numerous
- C.
Dissonance has been emancipated
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
In twentieth-century music, there have been significant changes and developments. String players have occasionally been required to use the wood instead of the hair on their bows, which creates a different sound and texture. Percussion instruments have also gained prominence and their numbers have increased, leading to a wider range of sounds and effects. Additionally, dissonance, which refers to the clashing of musical tones, has been liberated and explored more freely in this era. Therefore, all of the statements mentioned in the question are accurate representations of the changes and trends in twentieth-century music.Rate this question:
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- 35.
Which of the following statements is NOT true?
- A.
New technological advances, such as phonograph records, tape and digital recordings, radio, and television, have brought music to a larger audience than ever before.
- B.
Audiences in the first half of the 20th century, as in Mozart's time, demanded and got the latest music, and concert programs consisted mainly of recent works.
- C.
Nazi persecution and the onset of World War II led many composers, including Stravinsky, Bartok, Schoenberg, and Hindemith, to emigrate to the United States.
Correct Answer
B. Audiences in the first half of the 20th century, as in Mozart's time, demanded and got the latest music, and concert programs consisted mainly of recent works.Explanation
In the given answer, it is stated that audiences in the first half of the 20th century demanded and got the latest music, and concert programs consisted mainly of recent works. However, this statement is not true because in Mozart's time, the concept of concert programs consisting mainly of recent works did not exist. During Mozart's time, concerts typically consisted of a mix of his own compositions, works by other composers, and improvisations. Therefore, the statement contradicts the historical context of Mozart's era.Rate this question:
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- 36.
Impressionism as a movement originated in
- A.
France
- B.
Italy
- C.
Germany
Correct Answer
A. FranceExplanation
Impressionism as a movement originated in France. This is because the term "Impressionism" was coined from the title of Claude Monet's painting "Impression, Sunrise" which was exhibited in Paris in 1874. The movement was characterized by capturing the fleeting effects of light and color in outdoor scenes, and it was primarily developed by a group of French artists including Monet, Renoir, and Degas. France was the center of the art world at that time, and the Impressionist artists rebelled against the traditional academic style of painting, leading to the birth of this influential artistic movement.Rate this question:
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- 37.
Debussy's music tends to
- A.
Sound free and almost improvisational
- B.
affirm the key very noticeably
- C.
Have a strong rhythmic pulse
Correct Answer
A. Sound free and almost improvisationalExplanation
Debussy's music is known for its unique and innovative style, characterized by a sense of freedom and improvisation. His compositions often break away from traditional musical structures and explore new harmonies and textures. This experimental approach gives his music a spontaneous and improvised quality, creating a sense of freedom and unpredictability.Rate this question:
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- 38.
Which of the following is NOT characteristic of impressionist music?
- A.
A stress on tone color
- B.
A stress on atmosphere
- C.
Clearly defined rhythmical patterns
Correct Answer
C. Clearly defined rhythmical patternsExplanation
Impressionist music is known for its emphasis on tone color and atmosphere, creating a sense of fluidity and blurring of boundaries. It often lacks clearly defined rhythmic patterns, instead focusing on a more free-flowing and flexible approach to rhythm. Therefore, the absence of clearly defined rhythmic patterns is not characteristic of impressionist music.Rate this question:
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- 39.
Le Sacre du printemps (The Rite of Spring) by Stravinsky is an example of
- A.
Neoclassicism
- B.
Primitivism
- C.
Serialism
Correct Answer
B. PrimitivismExplanation
"Le Sacre du printemps" by Stravinsky is an example of primitivism. Primitivism in music refers to a style that incorporates elements of raw, primitive, and non-Western musical traditions. In this piece, Stravinsky drew inspiration from Russian folk music and ancient rituals, creating a highly rhythmic and dissonant composition that aimed to evoke a sense of primitiveness and primal energy. The chaotic and intense nature of the music, along with its unconventional use of instruments and harmonies, reflects the primitivist aesthetic.Rate this question:
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- 40.
Stravinsky's enormous influence on 20th century music is due to his innovations in
- A.
Rhythm
- B.
Harmony
- C.
Tone color
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Stravinsky's enormous influence on 20th century music is due to his innovations in rhythm, harmony, and tone color. His groundbreaking use of complex rhythmic patterns, unconventional harmonies, and unique combinations of instruments revolutionized the way music was composed and perceived. Stravinsky's bold experimentation and boundary-pushing compositions paved the way for new possibilities in music, inspiring countless composers and shaping the course of 20th century music.Rate this question:
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- 41.
Expressionism is an art concerned with
- A.
Depicting the beauties of nature
- B.
Emotional restraint, clarity, and balance
- C.
Social protest
Correct Answer
C. Social protestExplanation
Expressionism is an art movement that emerged in the early 20th century, characterized by a focus on expressing emotions and subjective experiences rather than depicting objective reality. It aimed to convey the inner feelings and struggles of the artists, often using distorted and exaggerated forms. Social protest was a significant theme in Expressionism, as many artists used their work to criticize societal issues and advocate for change. This can be seen in their depictions of poverty, inequality, and political unrest. Therefore, the answer "social protest" aligns with the main concerns and objectives of Expressionism.Rate this question:
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- 42.
The expressionist movement was largely centered in
- A.
France
- B.
Grear Britain
- C.
Germany and Austria
Correct Answer
C. Germany and AustriaExplanation
The correct answer is Germany and Austria. The expressionist movement was a cultural and artistic movement that emerged in the early 20th century, primarily in Germany and Austria. It was characterized by a focus on subjective emotions, distorted and exaggerated forms, and a rejection of traditional artistic conventions. Expressionist artists sought to convey their inner feelings and experiences through their artwork, often using bold colors, dramatic brushstrokes, and unconventional compositions. This movement had a significant impact on various art forms, including painting, literature, theater, and film, and its influence can still be seen today.Rate this question:
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- 43.
Expressionist music stresses
- A.
Harsh dissonance
- B.
Fragmentation
- C.
Unusual instrumental effects
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Expressionist music is a genre that emphasizes intense emotions and subjective experiences. It is characterized by the use of harsh dissonance, which creates tension and expresses inner turmoil. Fragmentation is another characteristic, where musical ideas are broken into smaller fragments and rearranged in unconventional ways. Unusual instrumental effects are also employed to evoke specific moods and atmospheres. Therefore, the correct answer is "all of the above" as all these elements are integral to expressionist music.Rate this question:
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- 44.
Bartok evolved a completely individual style that fused elements with
- A.
Changes of meter and a powerful beat
- B.
Twentieth-century sounds
- C.
Classical forms
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Bartok's evolution of a completely individual style involved fusing elements with changes of meter and a powerful beat, as well as incorporating twentieth-century sounds and classical forms. This means that Bartok's style incorporated all of these elements, making the answer "all of the above" correct.Rate this question:
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- 45.
The melodies Bartok used in most of his works are
- A.
Authentic folk melodies gathered in his research
- B.
Original themes that have a folk flavor
- C.
Reminiscent of 19th-century symmetrical themes
Correct Answer
B. Original themes that have a folk flavorExplanation
Bartok's melodies in most of his works are original themes that have a folk flavor. This means that he composed his own melodies that were inspired by traditional folk music. These original themes incorporate elements and characteristics of folk music, giving them a distinct folk flavor. This shows Bartok's ability to blend traditional and contemporary elements in his compositions, creating a unique and recognizable style.Rate this question:
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- 46.
During most of his lifetime, Ives's musical compositions
- A.
Were enthusiastically received in public performances
- B.
Were quickly published by a major firm
- C.
Accumulated in the barn of his Connecticut farm
Correct Answer
C. Accumulated in the barn of his Connecticut farmExplanation
The given answer suggests that Ives's musical compositions were stored or kept in the barn of his Connecticut farm. This implies that Ives did not actively publish or perform his compositions during his lifetime. Instead, he accumulated them in his personal space, possibly indicating that he did not seek widespread recognition or commercial success for his work.Rate this question:
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- 47.
Ives's music contains elements of
- A.
Revival hymns and ragtime
- B.
Patriotic songs and barn dances
- C.
Village bands and church choirs
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Ives's music contains elements of revival hymns, ragtime, patriotic songs, barn dances, village bands, and church choirs. This means that his compositions draw inspiration from and incorporate various musical styles and genres, including religious music, popular music, and traditional folk music. By combining these diverse elements, Ives created a unique and innovative musical language that reflected the cultural and musical landscape of his time.Rate this question:
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- 48.
"Harlem Renaissance" was the name
- A.
sometimes given to a flowering of African American culture during the years 1917-1935
- B.
Given to a housing project in New York City's Harlem
- C.
Of a city in Holland
Correct Answer
A. sometimes given to a flowering of African American culture during the years 1917-1935Explanation
The term "Harlem Renaissance" refers to a period of time between 1917 and 1935 when African American culture experienced a significant flourishing. It was a time of artistic, literary, and intellectual growth within the African American community, particularly in Harlem, New York City. During this period, African American artists, writers, musicians, and intellectuals gained recognition and made significant contributions to American culture. The Harlem Renaissance was an important movement that celebrated and highlighted the achievements and talents of African Americans, challenging racial stereotypes and promoting cultural pride.Rate this question:
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- 49.
Copland's name has become synonymous with American music because of his use of
- A.
Revival hymns, cowboy songs, and other folk tunes
- B.
Jazz, blues, and ragtime elements
- C.
Subjects from American folklore
- D.
All of the above
Correct Answer
D. All of the aboveExplanation
Copland's name has become synonymous with American music because he incorporated all of the above elements into his compositions. He used revival hymns, cowboy songs, and other folk tunes to capture the essence of American culture. Additionally, he incorporated jazz, blues, and ragtime elements, which were popular genres in American music. Furthermore, he drew inspiration from subjects in American folklore, further solidifying his association with American music.Rate this question:
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- 50.
Minimalist music is characterized by
- A.
The development of musical materials through random methods
- B.
Rapidly changing dynamics and textures
- C.
A steady pulse, clear tonality, and insistent repetition of short melodic patterns
Correct Answer
C. A steady pulse, clear tonality, and insistent repetition of short melodic patternsExplanation
Minimalist music is characterized by a steady pulse, clear tonality, and insistent repetition of short melodic patterns. This means that the music has a consistent beat or rhythm that remains constant throughout the piece. It also has a clear tonal center, meaning that it is based on a specific key or tonal system. Additionally, minimalist music often features the repetition of short melodic patterns, which creates a sense of hypnotic or trance-like effect. These characteristics contribute to the minimalist aesthetic of simplicity, clarity, and repetition.Rate this question:
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Jan 16, 2023Quiz Edited by
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Jun 18, 2011Quiz Created by
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