This is the Mid-TERM for all Fundamentals of DESIGN Students.
Thank you for bringing a LAPTOP to the Midterm Test
Make sure it is charged up and that it can access the internet….
Thank you for using EDMODO to help in Studying and preparing. Ms. Victore’s DESIGN class is under bgtxxw
Before answering questions 1-14, Log onto the internet and watch the video on Picasso and Braque: http://vimeo. Com/30145123 http://vimeo. Com/30145123
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After the Vietnam War
When They were working together as MAD men in NYC in the 60's?
After George Braque visited the studio of Pablo Picasso in Paris, and left him a note.
After they both entered their artwork in the Salon of 1903.
Letter C. and D. are close to the truth, while A. & B. are far from the truth.
Shapes in A and B are both Organic and Geometric
Shapes in A are Organic and Shapes in B are Geometric
Shapes in A are both Organic and Geometric
Shapes in A are Geometric and Shapes in B are Organic
None of the statements above are true.
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The paintings above are most likely done by Juan Gris, and both are done using asymmetrical balance
The paintings above are most likely an example of the differences in the works by George Braque and Pablo Picasso
The paintings above are most likely done by Juan Gris and A is an example of Radial Balance
The paintings above are most likely done by Juan Gris and B is an example of Symmetrical Balance
The paintings above are most likely done by Pablo Picasso and are both prime examples of Symmetrical Balance
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The painting contains items which make the painting heavy on one side, while light on the other.
The painting contains shapes which have their edges aligned with diagonals which appear to move away from a central axis point, like spokes on a bicycle wheel.
The painting is asymmetrical which moves the eye around the composition again and again.
The painting is very symmetrical, and has no real sense of radial balance.
The statements in A. & D. are true.
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A very sad and emotionally depressing image.
A very highly charged set of images made by a camera.
An image of a set up of objects which are lifeless and cannot get up and run away.
An image of objects and props in an advertisement, used to promote a product, in which the central focus is the product.
The statements in both C and D are close to the truth.
The fact that the artwork must become a 3-D object
The fact that the artwork is made up of many pieces of magazine photos
The artwork is created with a cutting and pasting mechanism such as a computer program, which cuts and pastes and/or a scissor and adhesive.
The artwork might contain actual objects such as wallpaper.
The Statements in B, C and D might be true of collage artworks, but A is true of only some of collage artworks.
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