The Ultimate Audio Sampling Quiz!

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The Ultimate Audio Sampling Quiz! - Quiz

Below is the ultimate audio sampling quiz that is set up to ensure you get just enough practice before the finals. For you to understand audio sampling, you must have an understanding of the sampling rate and how to choose your samples. Take this test and get to review all that you have learned in class these past few days.


Questions and Answers
  • 1. 

    Sampling resolution is measured in:

    • A.

      Milliseconds

    • B.

      Quarter seconds

    • C.

      Bits

    • D.

      DB

    • E.

      MHz

    Correct Answer
    C. Bits
    Explanation
    Sampling resolution refers to the number of bits used to represent each sample in a digital audio recording. It determines the level of detail and accuracy in capturing the amplitude of the sound wave. A higher resolution, indicated by more bits, allows for a greater dynamic range and more precise representation of the original analog signal. Therefore, bits is the correct unit of measurement for sampling resolution.

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  • 2. 

    You want to add a fast, bouncing panning to a loop loaded in Dr. Rex: Which one is the easiest, fastest way to do it?

    • A.

      Panning it in Peak or Logic, then export to recycle format.

    • B.

      Using Dr Rex's LFO set to 'pan' and random wave at a fast rate.

    • C.

      Writing the panning automation in the mixer's channel.

    • D.

      Panning each slice.

    • E.

      Recording the automation in the mixer's channel.

    Correct Answer
    B. Using Dr Rex's LFO set to 'pan' and random wave at a fast rate.
    Explanation
    Using Dr Rex's LFO set to 'pan' and random wave at a fast rate is the easiest and fastest way to add a fast, bouncing panning to a loop loaded in Dr. Rex. The LFO (Low Frequency Oscillator) in Dr. Rex allows for automated modulation of parameters, such as panning. By setting the LFO to 'pan' and choosing a random wave at a fast rate, the panning effect will be applied dynamically and quickly to the loop, creating the desired fast, bouncing effect.

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  • 3. 

    You composed a Reason song that is clearly in G major. You decide to bring to the mix a very melodic Dr. Rex loop, but it sounds off-key. How do you fix this problem?

    • A.

      Tweak the transpose knob until the loop fits the tonality.

    • B.

      Tweak the pitch knob until the notes (slices) that sounds off-key fit the tonality.

    • C.

      Tweak that transpose knob until the loop fits the tonality and/or tweak the pitch knob until the notes (slices) that sound off-key fit the tonality.

    • D.

      Set the 'oct' knob an octave higher.

    • E.

      It is not possible to fix this problem.

    Correct Answer
    C. Tweak that transpose knob until the loop fits the tonality and/or tweak the pitch knob until the notes (slices) that sound off-key fit the tonality.
    Explanation
    To fix the problem of the melodic Dr. Rex loop sounding off-key in a Reason song in G major, you can tweak the transpose knob until the loop fits the tonality. Additionally, you can also tweak the pitch knob until the notes (slices) that sound off-key fit the tonality. By adjusting these parameters, you can bring the loop into the correct key and make it harmonize with the rest of the composition.

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  • 4. 

    Layered keyzones allow a sampler to:

    • A.

      Play two or more sounds with the same keyboard key.

    • B.

      Have two or more sounds assigned to a single key and alter between them according to velocity.

    • C.

      Have two or more sounds assigned to a single key and alter between them randomly.

    • D.

      Play at the same time a sample with transposition and another one with a fixed pitch.

    • E.

      All of the above.

    Correct Answer
    E. All of the above.
    Explanation
    Layered keyzones allow a sampler to have multiple sounds assigned to a single key and switch between them based on velocity or randomly. It also allows the sampler to play two or more sounds simultaneously, with one sample transposed and another with a fixed pitch. Therefore, the correct answer is "all of the above."

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  • 5. 

    In a sampler, what is the root key?

    • A.

      The lowest key/pitch that the sample can be reproduced at.

    • B.

      The key where a keyzone begins.

    • C.

      The key where the sample will be played at its original speed/pitch.

    • D.

      The key that divides a keyzone exactly in the middle.

    • E.

      None of the above.

    Correct Answer
    C. The key where the sample will be played at its original speed/pitch.
    Explanation
    The root key in a sampler refers to the key where the sample will be played at its original speed and pitch. This means that when the root key is pressed, the sample will play back at its intended pitch without any transposition or alteration. The other options mentioned in the question are not correct because they do not accurately describe the concept of the root key in a sampler.

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  • 6. 

    What is a key zone?

    • A.

      The most important area of a sample.

    • B.

      The looped area of a sample.

    • C.

      An area on the piano layout containing the same sample.

    • D.

      A copy protection device.

    • E.

      None of the above.

    Correct Answer
    C. An area on the piano layout containing the same sample.
    Explanation
    A key zone refers to an area on the piano layout that contains the same sample. In other words, it is a specific range of keys on a piano keyboard that trigger the same sound sample. This allows for different samples to be assigned to different key zones, giving musicians the ability to create more dynamic and diverse sounds while playing.

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  • 7. 

    A/D means:

    • A.

      Audio to Dolby

    • B.

      Audio to Digital

    • C.

      Amplitude to Decay

    • D.

      Analog to Digital

    • E.

      Amplitude to Digital

    Correct Answer
    D. Analog to Digital
    Explanation
    A/D stands for Analog to Digital. This term refers to the process of converting analog signals, which are continuous and varying, into digital signals, which are discrete and binary. This conversion is necessary in order to store, manipulate, and transmit audio or any other type of analog data using digital devices and systems.

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  • 8. 

    In order for Dr Rex to reproduce a loop/sample in Reason's sequencer window, you should:

    • A.

      Set the L and R cursors to the area you want the loop to be heard and click on the 'preview' button.

    • B.

      Set the L and R cursors to the area you want the loop to be heard and click on the 'to track' button.

    • C.

      Click the 'select slice via midi' button.

    • D.

      Set polyphony to 1.

    • E.

      Do nothing, it is done automatically.

    Correct Answer
    B. Set the L and R cursors to the area you want the loop to be heard and click on the 'to track' button.
    Explanation
    To reproduce a loop/sample in Reason's sequencer window, you need to set the L and R cursors to the desired area and then click on the 'to track' button. This action will ensure that the loop is properly selected and transferred to the track for playback.

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  • 9. 

    In Dr. Rex, which one of the following cannot be applied to slices?

    • A.

      Assignment to midi notes.

    • B.

      Transposition

    • C.

      Reverse

    • D.

      Decay control.

    • E.

      Level (volume) control.

    Correct Answer
    C. Reverse
    Explanation
    The reverse function in Dr. Rex allows you to play the audio slices in reverse order. This means that instead of playing the slices from the beginning to the end, they will be played from the end to the beginning. This function is not related to assigning midi notes, transposing the slices, controlling decay, or adjusting the volume level.

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  • 10. 

    What is the advantage/difference of Reason's Dr. Rex Loop Player regarding other samplers?

    • A.

      It offers a better sample resolution.

    • B.

      It allows to change the tempo without altering the pitch.

    • C.

      It allows to change the pitch without altering the tempo.

    • D.

      It allows to change the tempo without altering the pitch, AND it allows to change the pitch without altering the tempo.

    • E.

      None of the above.

    Correct Answer
    D. It allows to change the tempo without altering the pitch, AND it allows to change the pitch without altering the tempo.
    Explanation
    The advantage/difference of Reason's Dr. Rex Loop Player compared to other samplers is that it allows the user to change the tempo without altering the pitch and also change the pitch without altering the tempo. This flexibility allows for more creative possibilities and makes it easier to match loops and samples to the desired tempo and pitch.

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  • 11. 

    When a sample sounds distorted due to a poor/low sampling rate, the phenomena is called:

    • A.

      Feedback

    • B.

      Aliasing

    • C.

      Delay

    • D.

      White noise

    • E.

      Overdrive

    Correct Answer
    B. Aliasing
    Explanation
    Aliasing occurs when a signal is sampled at a rate that is too low to accurately represent the original waveform. This results in distortion and the creation of additional frequencies that were not present in the original signal. Therefore, when a sample sounds distorted due to a poor/low sampling rate, it is referred to as aliasing.

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  • 12. 

    What is the advantage of Kontakt over other sample software?

    • A.

      It features 5 LFOs.

    • B.

      It makes possible to load several instruments in one Kontakt sampler and control them individually via midi tracks.

    • C.

      It has three randomizing envelopes.

    • D.

      All of the above.

    • E.

      None of the above.

    Correct Answer
    B. It makes possible to load several instruments in one Kontakt sampler and control them individually via midi tracks.
    Explanation
    Kontakt has an advantage over other sample software because it allows users to load multiple instruments into one sampler and control them individually using MIDI tracks. This feature provides greater flexibility and convenience for musicians and producers, as they can easily manage and manipulate different instruments within a single software interface. This capability sets Kontakt apart from other sample software options, making it a preferred choice for many professionals in the music industry.

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  • 13. 

    The synth parameters of the EXS24 can be connected in:

    • A.

      The envelopes.

    • B.

      The filter section.

    • C.

      LFO 1

    • D.

      The modulation matrix.

    • E.

      They cannot be connected.

    Correct Answer
    D. The modulation matrix.
    Explanation
    The correct answer is the modulation matrix. The modulation matrix in the EXS24 allows users to connect and modulate various parameters of the synthesizer, including envelopes, filters, and LFOs. This allows for greater flexibility and control over the sound shaping process.

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  • 14. 

    Kontakt allows you to slice a sample.

    • A.

      True

    • B.

      False

    Correct Answer
    A. True
    Explanation
    Kontakt is a software sampler that allows users to manipulate and edit audio samples. One of the features it offers is the ability to slice a sample, which means dividing it into smaller sections or "slices" that can be individually triggered and manipulated. This allows for more flexibility and creativity in using the sample in a musical context. Therefore, the statement "Kontakt allows you to slice a sample" is true.

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  • 15. 

    What is Portamento?

    • A.

      A function that limits velocity.

    • B.

      The action of transposing a sample.

    • C.

      A "gliding" or "sliding" effect that alters the pitch.

    • D.

      Randomizing slices.

    Correct Answer
    C. A "gliding" or "sliding" effect that alters the pitch.
    Explanation
    Portamento refers to a "gliding" or "sliding" effect that alters the pitch. It is a musical technique commonly used in synthesizers and string instruments, where the pitch smoothly transitions from one note to another, creating a seamless and expressive sound. This effect is achieved by gradually changing the pitch of a note over a specified duration, giving the impression of a smooth glide between the two pitches. It is often used in genres such as jazz, funk, and electronic music to add a sense of fluidity and movement to the music.

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  • 16. 

    In order to clear a sample from a song you should contact:

    • A.

      The producer of the song.

    • B.

      The composer of the song.

    • C.

      The composer and the publisher of the song.

    • D.

      The drummer.

    • E.

      None of the above.

    Correct Answer
    C. The composer and the publisher of the song.
    Explanation
    When clearing a sample from a song, it is necessary to contact both the composer and the publisher of the song. The composer holds the rights to the musical composition, while the publisher holds the rights to the written composition. By contacting both parties, you ensure that you have obtained the necessary permissions and licenses to use the sample legally. The producer of the song may also be involved in the clearance process, but it is essential to contact the composer and the publisher to cover all aspects of the song's ownership.

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  • 17. 

    If you do not assign the root keys correctly, which one of the following will occur?

    • A.

      Aliasing

    • B.

      Incorrect intonation/transpositions and weird jumps in the keyboard layout.

    • C.

      The samples will sound reversed.

    • D.

      The samples will not transpose.

    • E.

      The samples won't be triggered.

    Correct Answer
    B. Incorrect intonation/transpositions and weird jumps in the keyboard layout.
    Explanation
    If the root keys are not assigned correctly, it will result in incorrect intonation/transpositions and weird jumps in the keyboard layout. This means that when playing the keyboard, the notes will not be in the correct pitch or key, leading to a dissonant and confusing sound. The keyboard layout will also be unpredictable, with unexpected jumps between notes.

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  • 18. 

    Can Ultrabeat read EXS24 patches?

    • A.

      Yes

    • B.

      No

    Correct Answer
    A. Yes
    Explanation
    Ultrabeat is a drum sampler and synthesizer plugin developed by Logic Pro. It is capable of reading EXS24 patches, which are sample-based instrument patches used in Logic Pro. This allows users to import and use EXS24 patches within Ultrabeat, expanding the range of sounds and instruments available for use in their productions.

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  • 19. 

    What is multisampling?

    • A.

      Assigning different velocities to a series of samples

    • B.

      Sampling from many sources at the same time

    • C.

      Using two or more Apple loops in a Logic session

    • D.

      Assigning two or more samples in the keyboard layout

    • E.

      All of the above

    Correct Answer
    E. All of the above
    Explanation
    Multisampling refers to the technique of assigning different velocities to a series of samples, sampling from many sources at the same time, using two or more Apple loops in a Logic session, and assigning two or more samples in the keyboard layout. Therefore, the correct answer is "All of the above."

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  • 20. 

    Apple Loops will automatically follow your song's tempo:

    • A.

      Yes

    • B.

      No

    Correct Answer
    A. Yes
    Explanation
    Apple Loops are pre-recorded audio files that can be easily integrated into a song. When using Apple Loops, they will automatically adjust to match the tempo of your song. This means that regardless of the tempo you have set for your song, the Apple Loops will seamlessly synchronize with it, making it easier to create a cohesive and professional-sounding composition.

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  • 21. 

    If you use a sample under 2 seconds of length, you cannot get sued.

    • A.

      True

    • B.

      False

    Correct Answer
    B. False
    Explanation
    The statement suggests that using a sample under 2 seconds in length would protect someone from being sued. However, this is not true. The length of the sample does not determine whether or not someone can be sued for copyright infringement. The use of any copyrighted material without permission or proper licensing can still result in legal consequences, regardless of the length of the sample. Therefore, the correct answer is false.

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  • 22. 

    Which command(s) would you use to automatically organize key zones in the NNXT.

    • A.

      Copy parameters to selected zones.

    • B.

      Sort zones by note and sort notes by velocity.

    • C.

      Create velocity crossfades.

    • D.

      Copy zones and paste zones.

    • E.

      Set root from pitch detection and automap zones.

    Correct Answer
    E. Set root from pitch detection and automap zones.
    Explanation
    The command "set root from pitch detection and automap zones" would be used to automatically organize key zones in the NNXT. This command allows the software to detect the pitch of each zone and then automatically map them accordingly. It ensures that the zones are organized in a logical and efficient manner based on their pitch, making it easier to navigate and play the samples in the NNXT.

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  • 23. 

    The EXS24 has a "drive" know. What does it do?

    • A.

      It increases the frequency according to the velocity.

    • B.

      It offsets the filter cutoff.

    • C.

      It adds distortion.

    • D.

      It alters the pitch.

    • E.

      It overrides keyzones.

    Correct Answer
    C. It adds distortion.
    Explanation
    The "drive" knob in EXS24 adds distortion to the sound. Distortion is a type of audio effect that introduces harmonic content to the original signal, resulting in a grittier and more aggressive tone. By increasing the drive knob, the user can control the amount of distortion applied to the sound, allowing for creative manipulation and shaping of the audio.

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  • 24. 

    What is the information contained in a sampler patch (aka program aka instrument)?

    • A.

      Sampling rate and bit depth.

    • B.

      Keyzones and volume.

    • C.

      Digital audio.

    • D.

      Keyzones, velocity zones, path to samples, and synth parameters settings.

    • E.

      Filter and distortion settings.

    Correct Answer
    D. Keyzones, velocity zones, path to samples, and synth parameters settings.
    Explanation
    A sampler patch, also known as a program or instrument, contains various pieces of information. This includes keyzones, which determine which parts of the keyboard trigger specific samples or sounds. Velocity zones define how the sound varies based on the force or speed with which a key is pressed. The patch also includes the path to the samples, indicating where the audio files are stored. Additionally, it contains synth parameter settings, which control various aspects of the sound such as envelope, filters, and modulation.

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  • 25. 

    Most of the time, sampler patches are much smaller in size than the patch's sample.

    • A.

      True

    • B.

      False

    Correct Answer
    A. True
    Explanation
    Sampler patches are smaller in size than the patch's sample because a sampler patch typically contains only the necessary information to recreate the sound, such as the sample's start and end points, loop points, and other parameters. The actual audio data of the sample is not stored within the patch itself, but rather referenced or linked to. This allows sampler patches to be smaller in size and more efficient, as they do not need to duplicate the entire sample for each instance of the patch.

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  • 26. 

    Kontakt's instruments can be routed through auxiliary audio tracks.

    • A.

      True

    • B.

      False

    Correct Answer
    A. True
    Explanation
    Kontakt's instruments can be routed through auxiliary audio tracks, which means that the audio from Kontakt can be sent to and processed by other tracks in the DAW. This allows for more flexibility and control over the sound of Kontakt instruments, as they can be mixed and processed alongside other tracks in the project.

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  • 27. 

    ESX24: If you want to route different key zones/groups through auxiliary audio channels you have to:

    • A.

      Open the ESX24 as a multiple output instrument, create the auxiliary tracks in the mixer and assign the key zones/groups in the ESX24's instrument editor.

    • B.

      Open the ESX24 as a multiple output instrument and hit the 'automatic key zone assignment' button.

    • C.

      Create the auxiliary tracks in the mixer and move the key zones to the aux channel strips.

    • D.

      ESX24 does not support multiple outputs.

    • E.

      Open the ESX24 as a multiple output instrument and open a recycle file.

    Correct Answer
    A. Open the ESX24 as a multiple output instrument, create the auxiliary tracks in the mixer and assign the key zones/groups in the ESX24's instrument editor.
    Explanation
    To route different key zones/groups through auxiliary audio channels in ESX24, you need to open the ESX24 as a multiple output instrument. Then, you should create the auxiliary tracks in the mixer and finally assign the key zones/groups in the ESX24's instrument editor. This allows you to customize the routing of different key zones/groups to specific auxiliary channels for enhanced control and flexibility in your audio production.

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  • 28. 

    Most samplers have a "Filter to Keys" knob. What does it do?

    • A.

      It mutes the black keys of the keyboard.

    • B.

      It increases or decreases the filter settings according to the position of the keys in the keyboard.

    • C.

      It produces a sweeping filter effect.

    • D.

      All of the above.

    • E.

      None of the above.

    Correct Answer
    B. It increases or decreases the filter settings according to the position of the keys in the keyboard.
    Explanation
    The "Filter to Keys" knob on most samplers adjusts the filter settings based on the position of the keys on the keyboard. This means that as you play higher or lower notes, the filter settings will be adjusted accordingly, either increasing or decreasing the filtering effect. This allows for dynamic and expressive control over the sound produced by the sampler.

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  • 29. 

    What does the fine tuning knob do?

    • A.

      It tunes samples by octaves.

    • B.

      It tunes samples by semitones.

    • C.

      It detunes keyzones randomly.

    • D.

      It tunes samples in hundredths of a semitone.

    • E.

      It thins out the pitch.

    Correct Answer
    D. It tunes samples in hundredths of a semitone.
    Explanation
    The fine tuning knob adjusts the pitch of samples in very small increments, specifically in hundredths of a semitone. This means that it allows for precise tuning adjustments, allowing the user to fine-tune the samples to the desired pitch.

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  • Current Version
  • Mar 21, 2023
    Quiz Edited by
    ProProfs Editorial Team
  • Jul 13, 2009
    Quiz Created by
    Kerryoke2005
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