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Do you know anything about advanced sequencing? Would you like to try this quiz? Advances in DNA sequencing are the technique of confirming the correct order of nucleotides inside a DNA molecule. It utilizes any method or technology that is employed to explore the series of the four bases. These include adenine, guanine, cytosine, and thymine in a strand of DNA. Check your knowledge about advanced sequencing, good luck with the quiz.
Questions and Answers
1.
How many bits are in a MIDI word?
A.
2
B.
4
C.
6
D.
8
E.
10
Correct Answer
E. 10
Explanation A MIDI word consists of 10 bits. This is the standard length for a MIDI word, which is used to represent different types of information in MIDI messages. Each bit in a MIDI word can be either 0 or 1, allowing for a total of 1024 possible values. The 10-bit length provides enough range to accommodate various MIDI parameters and ensure accurate transmission of data between MIDI devices.
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2.
What are the two types of MIDI bytes?
A.
Status & data
B.
Voice & mode
C.
Channel & system
D.
System & exclusive
E.
Reverb & delay
Correct Answer
A. Status & data
Explanation The correct answer is "status & data" because MIDI messages are made up of a series of bytes. The status byte indicates the type of message being sent, such as note on/off or control change, while the data byte carries the actual information for that message, such as the specific note or control value. These two types of bytes work together to transmit MIDI data between devices. The other options mentioned in the question, such as voice & mode or channel & system, do not accurately represent the two types of MIDI bytes.
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3.
A Status Message's MSB (most significant bit) will always be:
A.
0
B.
1
C.
Either 1 or 0
D.
2
E.
3
Correct Answer
B. 1
Explanation A status message's MSB (most significant bit) will always be 1. This is because the MSB is the leftmost bit in a binary number and represents the sign of the number. In this case, since the MSB is always 1, it indicates that the status message is positive or non-negative.
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4.
What is the key command to toggle cycle on/off?
A.
L
B.
C
C.
Control - ' (apostrophe)
D.
Control- . (period)
Correct Answer
B. C
Explanation The key command to toggle cycle on/off is Control - ' (apostrophe).
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5.
What type of information does the Apple Loop Utility use for time manipulation?
A.
Formants
B.
Harmonics
C.
Transients
D.
Harmonic resynthesis
Correct Answer
C. Transients
Explanation The Apple Loop Utility uses transients for time manipulation. Transients refer to the short-lived, dynamic elements in a sound waveform, such as the attack of a drum hit or the pluck of a guitar string. By manipulating these transients, the Apple Loop Utility can adjust the timing and rhythm of audio loops, allowing users to create unique musical arrangements and compositions.
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6.
If beat mapping is not visible in the Global Tracks area, how do you enable Beat Mapping?
A.
In the audio preferences window
B.
Control click on the Global Tracks Header and select Beat Mapping
C.
Command + G
D.
G
Correct Answer
B. Control click on the Global Tracks Header and select Beat Mapping
Explanation To enable Beat Mapping in the Global Tracks area, you need to control click on the Global Tracks Header and select Beat Mapping. This action will bring up the Beat Mapping options and allow you to adjust and map the beats in the audio.
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7.
When you make a Quick Swipe Comp, to create a space ("mute a selection") in the comp you...
A.
Hold the shift key while trimming or selecting a swipe region boundary
B.
Hold option while dragging a region boundary
C.
Select a highlighted region in the quick swipe comp and press delete
D.
Create a duplicate track make a new comp
Correct Answer
A. Hold the shift key while trimming or selecting a swipe region boundary
Explanation To create a space or "mute a selection" in the Quick Swipe Comp, you need to hold the shift key while trimming or selecting a swipe region boundary. This action allows you to remove or silence a specific section of the comp, creating a gap or space in the audio or video. By holding the shift key, you can accurately adjust the boundaries of the swipe region and effectively mute the selected portion.
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8.
Which automation mode doesn't do anything until after you move a fader, then returns to previous automation when you let go?
A.
Write
B.
Touch
C.
Latch
D.
Trim
E.
Read
Correct Answer
B. Touch
Explanation The touch automation mode doesn't do anything until after you move a fader, then it returns to the previous automation when you let go. This means that when the fader is touched or moved, the automation is activated and the changes are recorded. However, once you release the fader, the automation returns to its previous state and the fader no longer controls the automation.
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9.
Moving an object to a new Environment layer does not change the object's behavior.
A.
True
B.
False
Correct Answer
A. True
Explanation Moving an object to a new Environment layer does not change the object's behavior because the behavior of an object is determined by its properties and the code that controls it, not by the layer it is placed in. The layer only affects the visibility and interaction of the object with other objects in the scene. Therefore, moving an object to a new Environment layer will not alter its behavior.
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10.
Beat Mapping MIDI is...
A.
Mapping MIDI events to the grid
B.
Making a global tempo change
C.
Using transients to line up beats
D.
Mapping the grid to MIDI events
Correct Answer
D. Mapping the grid to MIDI events
Explanation Beat Mapping MIDI refers to the process of aligning the grid of a MIDI sequencer with the timing of the MIDI events. This allows for precise synchronization and manipulation of the MIDI data. By mapping the grid to MIDI events, the user can easily edit and manipulate the timing of the MIDI notes and other events within the sequencer. This ensures that the MIDI events are accurately aligned with the desired musical beats and tempo.
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11.
Hexadecimal numbers are a Base-X representation. What does the X stand for?
A.
10
B.
2
C.
Binary
D.
16
Correct Answer
D. 16
Explanation Hexadecimal numbers are a base-16 representation, meaning that they use 16 different digits to represent numbers. In addition to the usual 0-9 digits, hexadecimal numbers also include the letters A-F to represent the values 10-15. This base-16 system is commonly used in computer programming and digital systems, as it can represent large numbers in a compact and easily readable format.
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12.
You cannot compress or EQ a folder track in the mixer.
A.
True
B.
False
Correct Answer
A. True
Explanation In a mixer, a folder track is a way to group multiple tracks together for organizational purposes. It does not contain any audio or MIDI data itself. Therefore, it cannot be compressed or EQ'd like individual audio or MIDI tracks. This makes the statement "You cannot compress or EQ a folder track in the mixer" true.
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13.
The Transform Window can be summed up as having the following parts...
A.
Presets, mode, selection, quantization
B.
Presets, mode, beat mapping, operation
C.
Presets, mode, selection, operation
D.
Mode, operation, random, selection
Correct Answer
C. Presets, mode, selection, operation
Explanation The Transform Window in this context refers to a feature or tool that allows users to make changes or modifications to certain elements. It is described as having presets, which are pre-defined settings or configurations, mode, which determines the behavior or functionality of the tool, selection, which refers to the specific elements or objects that the tool will be applied to, and operation, which represents the specific action or modification that will be performed on the selected elements.
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14.
You change an Arrangement's track icon via...
A.
Library
B.
Bin
C.
Inspector
D.
All of the above
Correct Answer
C. Inspector
Explanation The correct answer is "inspector" because the inspector is a tool or panel in a software program that allows users to view and edit the properties or attributes of a selected object. In this case, changing an Arrangement's track icon is a property or attribute of the Arrangement, so it can be done through the inspector. The library and bin are typically used for organizing and storing media files, while the inspector is specifically designed for modifying the properties of objects within the software program.
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15.
Which is not true of markers?
A.
Can be used to navigate timeline
B.
Can be used to set cycle region
C.
Can store customized text information
D.
Can be linked to environment objects.
Correct Answer
D. Can be linked to environment objects.
Explanation Markers in a software program or application are used for various purposes such as navigating the timeline, setting cycle regions, and storing customized text information. However, markers are not typically used to link to environment objects. Environment objects are usually linked or connected to other elements within the software or application, but markers do not serve this function.
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16.
To set the sample rate and bit depth...
A.
Bit depth in preferences, sample rate in song settings
B.
Bit depth in song settings, sample rate in preferences, both in song settings
C.
Both in preferences
D.
Both in song settings
Correct Answer
A. Bit depth in preferences, sample rate in song settings
Explanation The correct answer is that the bit depth is set in preferences, while the sample rate is set in the song settings. This means that when adjusting the bit depth, you would go to the preferences section of the software, while when adjusting the sample rate, you would go to the specific settings for the song you are working on.
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17.
How is Hyper Draw different from Hyper Editor?
A.
Can pencil in volume changes
B.
Can change CC values
C.
Cannot pencil in volume changes
D.
Can change only one parameter at a time
Correct Answer
D. Can change only one parameter at a time
Explanation Hyper Draw and Hyper Editor are both MIDI editing tools in music production software. The key difference between them is that Hyper Draw allows users to pencil in volume changes, while Hyper Editor can change CC (Continuous Controller) values. This means that in Hyper Draw, users can manually draw in changes to the volume of a MIDI track, whereas in Hyper Editor, they can modify various CC values such as pitch bend, modulation, or expression. However, Hyper Editor is limited to changing only one parameter at a time, whereas Hyper Draw allows for multiple parameter changes simultaneously.
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18.
"Event Definitions" are part of which editor?
A.
Hyper
B.
Score
C.
Piano Roll
D.
Sample
Correct Answer
A. Hyper
Explanation Event Definitions are part of the Hyper editor.
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19.
Which MIDI message carries data most related to musical performances?
A.
Channel mode messages
B.
System exclusive messages
C.
Channel voice messages
D.
System common messages
Correct Answer
C. Channel voice messages
Explanation Channel voice messages carry data that is most related to musical performances. These messages include note on/off, pitch bend, control change, and program change messages, which are essential for controlling various aspects of musical expression such as playing notes, changing parameters, and selecting different instrument sounds. These messages allow musicians to dynamically control and shape their performances, making them the most relevant MIDI messages for musical expression.
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20.
When Loop Recording, each individual performance is a...
A.
Take
B.
Comp
C.
Swipe
D.
Foler
Correct Answer
A. Take
Explanation When using Loop Recording, each individual performance is referred to as a "take". This term is commonly used in the music and film industry to describe a single recorded or filmed attempt at a performance. Loop Recording allows for multiple takes to be recorded and then selected or edited later on.
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21.
Why would you want to freeze a track?
A.
Easier editing options
B.
Reduces CPU load
C.
32 bit files sound better
D.
Comps folder tracks together
Correct Answer
B. Reduces CPU load
Explanation Freezing a track in audio production software refers to rendering the track's audio and effects into a temporary file, which allows the software to temporarily disable processing for that track. This helps to reduce the CPU load, as the software doesn't have to continuously process the track in real-time. By freezing tracks, producers can free up CPU resources to handle other tasks, such as adding more tracks or applying resource-intensive effects, ultimately improving the performance and stability of the software.
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22.
To HIDE a track, just control-click on it in the mixer.
A.
True
B.
False
Correct Answer
B. False
Explanation To hide a track in the mixer, you do not need to control-click on it. This statement is incorrect.
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23.
How can Logic use multiple audio interfaces simultaneously?
A.
Create an aggregate device in AMS
B.
Select one in preferences and the other in settings
C.
You can only do so if one is for inputs and the other for outputs
D.
All of the above
E.
It is impossible to use more than one interface with Logic
Correct Answer
A. Create an aggregate device in AMS
Explanation Logic can use multiple audio interfaces simultaneously by creating an aggregate device in AMS. This allows the user to combine the inputs and outputs of multiple audio interfaces into a single virtual device that can be recognized and used by Logic. By selecting this aggregate device in the preferences and settings of Logic, the user can effectively utilize multiple audio interfaces at the same time. This is particularly useful when one interface is dedicated to inputs and the other to outputs, allowing for greater flexibility and expanded capabilities in audio recording and playback.
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24.
You can apply all of the same TCE processes to Apple Loops as AIFF files.
A.
True
B.
False
Correct Answer
B. False
Explanation Apple Loops and AIFF files are two different formats used in music production. While both can be used in the same TCE (Time Compression Expansion) processes, it is not accurate to say that all the same processes can be applied to both. Each format has its own specific characteristics and requirements, so certain processes may not be compatible or produce the desired results when applied to both formats. Therefore, the statement that all the same TCE processes can be applied to both Apple Loops and AIFF files is false.
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25.
To create a new audio file from a region...
A.
Option drag
B.
Convert to an alias
C.
Choose a command from audio local menu in arrange window
D.
Freeze track
Correct Answer
C. Choose a command from audio local menu in arrange window
Explanation To create a new audio file from a region, you can choose a command from the audio local menu in the arrange window. This option allows you to select the specific command that will enable you to create a new audio file. By choosing a command from the audio local menu, you can easily generate a new audio file from the desired region.
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26.
Once you've created an Arrange track for an AUX, you can then export that track.
A.
True
B.
False
Correct Answer
B. False
Explanation Once you've created an Arrange track for an AUX, you cannot export that track.
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27.
Which of the following is ONLY possible via the environment?
A.
Creating new channel strips
B.
Changing order of tracks in mixer
C.
Grouping tracks
D.
Using an arpeggiator
Correct Answer
D. Using an arpeggiator
Explanation Using an arpeggiator is the only option that can be exclusively done through the environment. The environment in music production software allows for the creation and manipulation of MIDI data, including the use of MIDI effects like arpeggiators. Creating new channel strips, changing the order of tracks in the mixer, and grouping tracks can typically be done directly within the software's user interface without needing to access the environment.
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28.
To TCE an audio region with the pointer tool, which modifier key is held down?
A.
Shift
B.
Control
C.
Option
D.
Command
Correct Answer
C. Option
Explanation When TCE (Time Compression Expansion) is applied to an audio region using the pointer tool, the modifier key that needs to be held down is the "option" key. This key allows the user to adjust the length of the audio region without affecting its pitch. Holding down the option key while performing TCE allows for more precise control over the timing and duration of the audio region.
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29.
"A" in hexadecimal is equivalent to which decimal value?
A.
1
B.
10
C.
16
D.
128
Correct Answer
B. 10
Explanation In hexadecimal, the letters A to F represent the decimal values 10 to 15 respectively. Therefore, the hexadecimal value "A" is equivalent to the decimal value 10.
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30.
Alias is for Audio, Clone is for MIDI.
A.
True
B.
False
Correct Answer
B. False
Explanation This statement is incorrect. Alias is not specifically for audio and clone is not specifically for MIDI. In general, both alias and clone can be used for different purposes in various contexts, including audio and MIDI. The given statement oversimplifies the usage of alias and clone, leading to an incorrect answer.
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