Edgar Degas (1834-1917) Quiz

Edgar Degas' "Little Dancer" is a famous sculpture that depicts a young ballerina. In ballet, a tutu is a traditional costume worn by dancers, especially in classical ballet performances. It consists of a fitted bodice and a skirt made of layers of tulle or netting, which gives it a voluminous and elegant appearance. The tutu is an iconic symbol of ballet and is often associated with the grace and beauty of the art form. Therefore, it is the most fitting choice for the uniform worn by the young ballerina in Degas' sculpture.

Edgar Degas' "Dance Class" and "Rehearsal on Set" were set in a ballet classroom. This can be inferred from the fact that both paintings depict dancers in various ballet poses and movements, suggesting that the setting is a space specifically designed for ballet training and rehearsals. The use of ballet as the subject matter also aligns with Degas' fascination with capturing the grace and beauty of ballet dancers in his artwork.

Edgar Degas' favorite subjects were women. Throughout his career, Degas focused on depicting the daily lives of women, particularly ballet dancers, laundresses, and milliners. He captured their grace, beauty, and the challenges they faced in a male-dominated society. Degas' fascination with women as subjects allowed him to explore themes such as femininity, work, and leisure, resulting in iconic and timeless artworks.

Edgar Degas made sculptures using clay instead of marble or bronze. Clay is a versatile and malleable material that allows for easy manipulation and shaping. It offers Degas the flexibility to create intricate details and capture the fluidity of movement in his sculptures. Clay is also a more accessible and affordable material compared to marble or bronze, making it a practical choice for Degas to experiment with different forms and styles in his sculpting practice.

Edgar Degas made many paintings of horses because he liked to paint movement. Horses are known for their graceful and powerful movements, making them a perfect subject for Degas' artistic style.

As Edgar Degas' eyesight diminished, he turned to sculpture. This can be inferred from the fact that when an artist's eyesight diminishes, it becomes challenging to continue working on visual art forms such as painting or drawing. Sculpture, on the other hand, relies more on tactile perception and physical manipulation, making it a suitable alternative for Degas to express his artistic abilities despite his eyesight issues.

Edgar Degas' painting of dancers, performers, and laundrywomen focused on capturing movement. Degas was known for his ability to depict the fluidity and grace of dancers in motion. He often depicted them in various poses and stages of movement, showcasing their agility and skill. Through his brushstrokes and composition, Degas sought to convey the energy and dynamism of his subjects, creating a sense of movement and life in his paintings.

Edgar Degas liked to paint inside. This suggests that he preferred to work in indoor settings rather than painting outdoors like his Impressionist friends. Degas was known for his depictions of indoor scenes, particularly ballet dancers and intimate portraits. His preference for working inside allowed him to control the lighting, composition, and atmosphere of his paintings more effectively.

Edgar Degas created a set of paintings that depicted the suffering of New Orleans.

Mary Cassatt is the correct answer because she was an American Impressionist artist who had a close relationship with Edgar Degas, a French Impressionist. Cassatt and Degas became friends and had a mutual admiration for each other's work. They often exhibited together and influenced each other artistically. Cassatt's style was heavily influenced by Degas, and she even adopted some of his techniques, such as the use of pastels. Their friendship and artistic connection make Mary Cassatt the most likely American Impressionist to have dated Edgar Degas.

Edgar Degas, unlike other Impressionists, was least interested in color and landscapes. While his contemporaries focused on capturing the effects of light and color in outdoor scenes, Degas primarily concentrated on depicting indoor subjects such as ballet dancers, horse races, and everyday life in Paris. He was more concerned with capturing movement, gesture, and the human form rather than the natural world. Degas also experimented with various mediums and techniques, such as pastels and oils, to achieve his desired effects.

Edgar Degas, a famous artist, was known for his paintings in theatrical settings. One of the venues he liked to paint besides dance studios was music halls. Music halls provided him with a lively and vibrant atmosphere to capture in his artwork. The energy and performances in music halls allowed Degas to showcase his talent in capturing movement and expression.

Young Edgar Degas made over 700 copies of older works of art. This suggests that he was heavily influenced by and sought to learn from the works of established artists. By copying these older works, Degas was able to study and understand different techniques and styles, which ultimately contributed to his own artistic development. This practice of copying was common among young artists in the past as a way to learn and improve their skills.

Walter Sickert is the correct answer because he was indeed a studio assistant for James McNeill Whistler and had a close friendship with Edgar Degas. Sickert was an English painter and printmaker who was associated with the Impressionist movement. He spent time in both London and Paris, where he interacted with Whistler and Degas. Sickert's work was influenced by both artists, and he became known for his atmospheric and often dark portrayals of urban life.